TechCrunch summarized the interview with Edgar Bronfman Jr at the Web 2.0 Expo last week. Bronfman said that any new artist on the label will have to sign a 360 deal, which means the label would receive a percentage of not only music sales and master use rights, but any stream of revenue the artist might receive: This includes touring, publishing, licenses, merchandise, etc. It is usually management that gets a % of all income the artist receives in exchange for management services. Note that about 95% of the managers, never see a dime in commissions from record sales and this is not a recent development. What will Warner's be offering in exchange for that all encompassing %? Will they offer management services, music publishing, book tours?
I used to think that having management and record company under one roof would be a good thing. In the case of major labels, I no longer hold to that belief. In all cases, both the artists and management have the same goal as the record label: to sell records. How they both want to achieve that goal is usually very different. The one who might be hurt the most in a 360 deal is the artist. The scenarios could be endless. That is of course if every aspect of their career is carried out under one roof.
Having a separate management company who knows the artist well and is willing to fight for what the artist believes in is invaluable to the artist. Having a publishing company that knows how to get a song placed in an indie film even though it might mean making less money for the record company, but more exposure and money in the long run for the band would be a no-brainer for an artist, but might run counter to the labels immediate bottom line. The label wants the band to open for a completely incompatible artist who might be selling tickets, but the audience is wrong. The band might sell a few records on this tour, but doesn't gain fans for life. It would make more sense for the band to break even on a small club tour opening for the artist whose audience would love the band and staying true to their roots. The conflicts would be immense.
Bronfman says it takes a long time and money to develop and artist and he's right, so maybe this in the only way the labels can generate money to survive. The artists that are most successful are those that know what they want and surround themselves with a diverse group of people that are in their corner and help them get there. Team of Rivals, the book by Doris Kearns Goodwin has been cited lately as Barack Obama is an admirer. It's an amazing study on human nature. Lincoln when compiling his cabinet, decided to fill it with people who were his opponents during the presidential race and didn't always agree with him, but he thought they were the best candidates for the jobs. Initially hating him and disparaging him,they learned to appreciate and respect Lincoln for who he was. There is no reason that recording artists shouldn't look at their team the same way. Having one opinion, one option, one voice, one company doesn't seem like it would be in any one's best interest. Setting aside some time to read Team of Rivals is in every one's best interest.
Monday, November 10, 2008
Friday, November 07, 2008
Wednesday, November 05, 2008
The Rising

After President-elect Barack Obama left the stage at Grant Park, Bruce Springsteen's the Rising filled the air. It's been said many times over, but for me this election has truly been a unique experience. I watched more news on TV than I have in years. My sources of news come from the WSJ, The New Yorker and Howard Stern. Close to 11pm last night, Brian Williams said we'll have some important news when we come back from commercial break. When they did come back, there was a photo of Barack covering the TV screen with the words: The 44th President of the United States Barack Obama. Instantly cheers could be heard from York Avenue. I got chills. I don't remember ever seeing crowds gathered in Times Square for an election. This is a new era for our country. Barack is probably facing more hard issues than any other president in my lifetime. A Rising is what this country needs now.
Labels:
barack obama,
grant park,
howard stern,
new yorker,
The Rising
Tuesday, November 04, 2008
Rocking the Vote!
I rocked the vote in about 45 seconds. It's a lovely fall morning in New York City. NY1 was reporting lines 45 minutes to an hour to vote in Harlem. They said that more people voted there by 8am, than have in the enitre last election. I vote on East 88th Street. The lines were longer than I've ever seen in my 25 years voting there. Snaking through the crowds, looking for District 76 and I come upon the only desk where there is no line. The ever so pleasant woman behind the desk asks my name. I sign in and she says you can vote now. I'm out of there in less than 2 minutes. It took longer to get through the crowd than it did to vote. This is my idea of Rocking the vote!
Labels:
rock the vote
Friday, October 31, 2008
Bruce Springsteen's Halloween Treat
Shore Fire Media sent me a link for Halloween.
A Note from Bruce:
A NIGHT WITH THE JERSEY DEVIL
Dear Friends and Fans,
If you grew up in central or south Jersey, you grew up with the "Jersey Devil." Here's a little musical Halloween treat. Have fun!

You can download the MP3 for free. The video is a bit creepy, which I'm guessing is the point. It starts off with The Boss emerging from water. It's dark, it looks like it's cold. He sings about witches and the devil. He wears a cross, looks angry and is a bit scary. He makes his point. In the final seconds of the video he submerges himself back in the water. Is it a baptism? Does this exorcise the devil?
A Note from Bruce:
A NIGHT WITH THE JERSEY DEVIL
Dear Friends and Fans,
If you grew up in central or south Jersey, you grew up with the "Jersey Devil." Here's a little musical Halloween treat. Have fun!

You can download the MP3 for free. The video is a bit creepy, which I'm guessing is the point. It starts off with The Boss emerging from water. It's dark, it looks like it's cold. He sings about witches and the devil. He wears a cross, looks angry and is a bit scary. He makes his point. In the final seconds of the video he submerges himself back in the water. Is it a baptism? Does this exorcise the devil?
Labels:
bruce springsteen,
shore fire
Thursday, October 30, 2008
Entertainment Lawyers: Hal Kant Raised the Bar
Entertainment lawyers (maybe lawyers in general) are derided, I'm guessing on a daily basis. For the most part, my dealings over the years with them has been nothing but positive. I lean towards being a logical thinker which is a bit of a paradox being in the entertainment business. A lot of the business is illogical, which is why I think I work so well with lawyers. There has to be logic in what they do.
Hal Kant a Queens born/Bronx raised, Beverly Hills attorney who's most prominent client was the Grateful Dead passed away on October 19th. The Wall Street Journal has an informative obit on him. He formed the Grateful Dead's business.
Hal Kant a Queens born/Bronx raised, Beverly Hills attorney who's most prominent client was the Grateful Dead passed away on October 19th. The Wall Street Journal has an informative obit on him. He formed the Grateful Dead's business.
- He gave his blessing to fans taping the shows
- He made the band incorporate -which lead to health benefits and pension plans
- He negotiated so that the band retained their master recordings
- He made sure managers were paid a flat fee rather than a %.
Labels:
Grateful Dead,
Hal Kant
Wednesday, October 29, 2008
Historic Baseball Day
I can't recall a suspended World Series game continuing two days later, but that will happen tonight in Philly. When we last left off Philly and Tampa Bay were tied at 2. The game will air after the 30 Obama infomercial.
In another historic baseball moment, in 1969 Tom Seaver won the Cy Young award. To put his amazing year in perspective, He received the highest numbers from Baseball Writers' Association of America's Hall of Fame vote. Tom Terrific went 25-7 with a 2.21 ERA. He won two more games in his three postseason starts. Here is where the voting stands to this day. It's interesting that two pitchers who started their careers as Mets, lead the pack. Now if only a current Met could throw the teams first no-hitter.
Top BBWAA Voting Percentages for Hall of Famers
Tom Seaver (1992) 98.84%
Nolan Ryan (1999) 98.79%
Cal Ripken Jr. (2007) 98.53%
Ty Cobb (1936) 98.23%
George Brett (1999) 98.19%
Hank Aaron (1982) 97.83%
Tony Gwynn (2007) 97.61%
Mike Schmidt (1995) 96.52%
Johnny Bench (1989) 96.42%
In another historic baseball moment, in 1969 Tom Seaver won the Cy Young award. To put his amazing year in perspective, He received the highest numbers from Baseball Writers' Association of America's Hall of Fame vote. Tom Terrific went 25-7 with a 2.21 ERA. He won two more games in his three postseason starts. Here is where the voting stands to this day. It's interesting that two pitchers who started their careers as Mets, lead the pack. Now if only a current Met could throw the teams first no-hitter.
Top BBWAA Voting Percentages for Hall of Famers
Tom Seaver (1992) 98.84%
Nolan Ryan (1999) 98.79%
Cal Ripken Jr. (2007) 98.53%
Ty Cobb (1936) 98.23%
George Brett (1999) 98.19%
Hank Aaron (1982) 97.83%
Tony Gwynn (2007) 97.61%
Mike Schmidt (1995) 96.52%
Johnny Bench (1989) 96.42%
Labels:
baseball hall of fame,
bbwaa,
Tom seaver,
world series
Monday, October 27, 2008
CD Baby's Founder Received $22 Million for Site -Money Going to Charity

From Hypebot:
Entrepreneur Forms Musician's Charitable Trust
$22 million. From a one man operation in his garage to a $22 million sale to Disc Makers in ten years. It's a story that will flame the fires of hope for hundreds of music entrepreneurs The story is made more powerful because Derek Sivers is generous with his time and because he earned it by providing much needed services for indie musicians.
CD Baby sells CDs and downloads for almost a quarter million artists and to date has sold 4.5 million CD's paying out $83 million to them. I don't know about much about purchase multiples, but why would Disc Makers pay $22 million for a company that size whose core business, CD sales, is on the decline? TRUST. Those quarter million artists trust CD Baby to treat them fairly and pay them quickly. Disc Makers may be able to build on that trust and its own reputation to create a one stop shop for independent and d.i.y. music.
What will Sivers do with his big pay day? He's put into Musician's Charitable Trust: "I didn't even want the money... It's all just going back to the musicians," he told Venture Voice
Labels:
CD Baby,
Derek Sivers,
Disc makers
Saturday, October 25, 2008
How Long Has This Campaign Been Going On?
Doesn't it seems like Gilmore Girls ended 4 years ago or is that how long this campaign has been going on? I was listening to Carole King's Tapestry and heard "Where You Lead" which made me think of Gilmore Girls
Labels:
barack obama,
carole king,
Gimore Girls,
Tapestry
Thursday, October 23, 2008
The Ever Narrowing Music Business and It's Effects
The fragmentation of the music business has affected so many areas beyond the major labels, which I don’t think a lot of people realize. There was a posting in Celebrity Access today about the uber-concerts/music festivals. Australian promoters such as Andrew McManus have had to renegotiate deals with agents and managers, McManus for the 54 shows he was to promote. The shrinking markets and sinking Australian dollar account for some of it. "The demise of the dollar has given me basically two hours' sleep for 10 days, working round the clock, dealing with umpteen managers, umpteen number of agents, to try to restructure the whole landscape of each deal to the point where I have actually sacked a number of deals," McManus told the Brisbane Times.
"Either the acts have taken a reduction or I've got rid of them … That's how bleak the whole ****ing thing's been."
For the most part, the record companies were doing us a great favor by narrowing the market. They limited the amount of musical offering each month. With new technology and options like CD Baby and TuneCore, anyone can record music on their laptop and have it up for sale/distribution within days. This completely dilutes the market. With so many choices how do you know what’s good, what you like, etc? There are sites like Sonic Boomers that suggest music they think boomers would like and they do a good job of it. For the most part, you could spend all day trying to keep up with every new act that comes out.
The inexhaustible number of musicians out there, which I think is a major reason for the declining interest in festival shows, really hit me when I looked at the list of bands playing CMJ. Here are the names of the acts I recognized for today’s schedule out of approximately 272 listed:
Technically I’ve only heard the music of 8 of 272 of them. Not sure if this means I am out of touch or the market is so saturated that it’s impossible to know. It's also quite a statement that 272 bands will be playing in NY tonight and most of it occurs below 14th St and it does not include all the day parties and performances that are not offical. I realize that my expertise is in adult alternative, but that genre has become pretty broad. A musician I know said that CMJ seems like a bunch of MySpace friends coming to NY to play. I don't know that you can fill a stadium or book a festival around a bunch of MySpace friends.
"Either the acts have taken a reduction or I've got rid of them … That's how bleak the whole ****ing thing's been."
For the most part, the record companies were doing us a great favor by narrowing the market. They limited the amount of musical offering each month. With new technology and options like CD Baby and TuneCore, anyone can record music on their laptop and have it up for sale/distribution within days. This completely dilutes the market. With so many choices how do you know what’s good, what you like, etc? There are sites like Sonic Boomers that suggest music they think boomers would like and they do a good job of it. For the most part, you could spend all day trying to keep up with every new act that comes out.
The inexhaustible number of musicians out there, which I think is a major reason for the declining interest in festival shows, really hit me when I looked at the list of bands playing CMJ. Here are the names of the acts I recognized for today’s schedule out of approximately 272 listed:
- Charlie Louvin is 81 years old and he is possibly the Grandfather of alt country
- George Clinton, know as the godfather of funk
- Sam Champion I know them because they are named after the once local and now national weatherman
- It’s Not You It’s Me Took note of their name a few weeks back, have no idea what they sound like
- The Dears Canadian band that has been around for a few years
- Juliana Hatfield Started in the Blake Babies
- Ari Gold I don’t really know this artist, I just know the name as the agent on Entourage.
- Matt Keating was managed by a friend
- KaiserCartel is managed by a friend, but my husband saw their show a few years back and liked them and bought their CD
- Dave Doobinin was on the bill a few times with All Night Chemists
- Coheed & Cambria on Columbia Records. Richard on the Howard Stern show once wet his pants during one of their shows, as he couldn’t tear himself away from the performance to use the bathroom.
Technically I’ve only heard the music of 8 of 272 of them. Not sure if this means I am out of touch or the market is so saturated that it’s impossible to know. It's also quite a statement that 272 bands will be playing in NY tonight and most of it occurs below 14th St and it does not include all the day parties and performances that are not offical. I realize that my expertise is in adult alternative, but that genre has become pretty broad. A musician I know said that CMJ seems like a bunch of MySpace friends coming to NY to play. I don't know that you can fill a stadium or book a festival around a bunch of MySpace friends.
Labels:
celebrity access,
charlie louvin,
cmj,
george clinton,
kaisercartel,
MySpace
Monday, October 20, 2008
Surviving Sounds of Haida
Surviving Sounds of Haida is a documentary by Fred Otilius Olsen, JR. This project is near and dear to his heart. As a native Alaskan, he feels the importance of preserving the Haida language. There are only several people left who can speak it and they are over 75 years old. Alaska is in the spotlight these past two months, so the timing of the completed documentary couldn't be better. It gives us a completely different side of Alaska than the Wasillaesque point of view we've been seeing. Watch Fred's documentary. It's an 8 minute labor of love. Also check out Fred's New York Nitty Gritty website. A wry and insightful pictorial of New York.
For more information, the Haida language has it's own website.
I found it ironic that there was a translation of this line on their website:
DÃi git dahlgiyáagang -- My daughter is pregnant
Adáahl dláng hl kÃngsaang
(I’ll see all of you tomorrow)
For more information, the Haida language has it's own website.
I found it ironic that there was a translation of this line on their website:
DÃi git dahlgiyáagang -- My daughter is pregnant
Adáahl dláng hl kÃngsaang
(I’ll see all of you tomorrow)
Labels:
fred olsen,
otilius,
surviving sounds of haida
Levi Stubbs-Lead Singer of The Four Tops
The music of the Four Tops was omnipresent on WABC radio when I was young. Their lead singer Levi Stubbs had a urgency in his voice especially heard on Bernadette. I remember being a little frightened by that song. Here was a guy who was pleading, on his knees, at wits end. crying for Bernadette with an intensity not heard by me at that time. The Four Tops had their first No. 1 single in 1965, “I Can’t Help Myself (Sugar Pie, Honey Bunch)”. Other songs that will always get the crowd dancing are "Reach Out, I'll Be There" -a favorite live cover for David Johansen, "The Same Old Song", "Standing In The Shadows of Love", etc.
Mr Stubbs passed away on the 18th. No cause was given. His wife of 48 years survives him, as well as 5 children.
According to his obit in the NY Times, Levi's cousin was Jackie Wilson (Higher and Higher). As jazz singers the Four Tops played the Tonight Show when Jack Parr was the host covering In The Still Of The Night.
Billy Bragg immortalized Levi in his song "Levi Stubbs' Tears":
When the world falls apart some things stay in place
She takes off the Four Tops tape and puts it back in its case
When the world falls apart some things stay in place
Levi Stubbs' tears...
Mr Stubbs passed away on the 18th. No cause was given. His wife of 48 years survives him, as well as 5 children.
According to his obit in the NY Times, Levi's cousin was Jackie Wilson (Higher and Higher). As jazz singers the Four Tops played the Tonight Show when Jack Parr was the host covering In The Still Of The Night.
Billy Bragg immortalized Levi in his song "Levi Stubbs' Tears":
When the world falls apart some things stay in place
She takes off the Four Tops tape and puts it back in its case
When the world falls apart some things stay in place
Levi Stubbs' tears...
Wednesday, October 15, 2008
Lucky Old Sun: A Popular AlbumTitle From A Song That's 59 Years Old
Brian Wilson released his latest album That Lucky Old Sun on Sept 2nd. On Oct 14th Kenny Chesney released his latest album Lucky Old Sun. Huh? Brian Wilson has been playing the song live for over a year as part of a suite of music. He talked about his love for the 1949 song, which is why he included it on his latest record and names the album after the song. So Kenny Chesney decides to do a duet with Willie Nelson of the very same song and takes away the "That" for his album title. Was Chesney inspired by Wilson's song choice?

As Wilson told USA Today: "I always liked that song," he says of That Lucky Old Sun, first popularized in 1949 by Frankie Laine. "A couple of years ago, I went to the record store, got Louis Armstrong's version, brought it home and learned it. I rearranged it and taught it to my band."

As Wilson told USA Today: "I always liked that song," he says of That Lucky Old Sun, first popularized in 1949 by Frankie Laine. "A couple of years ago, I went to the record store, got Louis Armstrong's version, brought it home and learned it. I rearranged it and taught it to my band."
Neal Hefti - Composer of Batman Theme Dies

Composer, arranger, big band trumpeter Neil Heft has died at 85. Two of the most memorable theme songs: The Odd Couple and Batman were written by him. Everyone can sing both of them. Hefti said the Batman theme was the hardest music he ever wrote. From the LA Times:
"I tore up a lot of paper," he told Jon Burlingame, author of "TV's Biggest Hits," a 1996 book on television themes. "It did not come easy to me. . . . I just sweated over that thing, more so than any other single piece of music I ever wrote. I was never satisfied with it."
"Batman," he said, "was not a comedy. This was about unreal people. Batman and Robin were both very, very serious. The bad guys would be chasing them, and they would come to a stop at a red light, you know. They wouldn't break the law even to save their own lives. So there was a grimness and a self-righteousness about all this."
Hefti said it took him "the better part of a month" to come up with the theme.
"I was almost going to call them and say, I can't do it," he said. "But I never walk out on projects, so I sort of forced myself to finish."
Hefti's "musical solution to a combined dramatic and comedic problem," Burlingame wrote in his book, "was perfect: bass guitar, low brass and percussion to create a driving rhythm, while an eight-voice chorus sings 'Batman!' in harmony with the trumpets. It was part serious, part silly: just like the series."
Hefti's "Batman" tune became a Top 40 hit -- for both the Hefti and the Marketts' versions -- and won a 1966 Grammy Award for best instrumental theme.
Miles Davis credited him with making the Count Basie Band sound as good as it did. Hefti produced, composed and arranged for Count Basie. He also served as head of A&R for Reprise Records in the early 60's. He also composed music for films including Sex and The Single Girl, Barefoot in the Park and How to Murder Your Wife.
Labels:
batman,
count basie,
neal hefti,
odd couple
Friday, October 10, 2008
Take On Me: Literal Video Version
This was made by Dust Films. Have a laugh!
Thursday, October 09, 2008
EMI Starting An Online Music Service
It seems like it's 8 years too late, but EMI is launching an online music service, which according to the WSJ is to gather customer behavior patterns rather than actually make money. There are so many ways to gauge what fans are thinking. Online message boards and postings are filled with kudos and complaints about what works and what does not. Throwing what I'm guessing is large sums of money into an already overcrowded field seems fruitless. There are so many places to buy music, the easiest being iTunes, Consumers will be confused with another entry like EMI's. It used to be the only place to buy music was either a record store or for the big artists a place like Target, now each label has it's own site. Tthe consumer doesn’t look for these sites. The labels have already lost trust with the consumer. Why would they go to the labels website to find out about an artist or buy music? They can go directly to the source meaning the artist or go to iTunes which is a trusted entity. There is also the option of pulling it from someone else for free. It's not trusted, but it is free.
Labels:
EMI online,
iTunes
Wednesday, October 08, 2008
Defamation Emails: How to Bash a Candidate with Falsifications and Half Truths
I'm not going to pontificate on whom to vote for. To quote Johnny Mathis (written by Allen & Stillman), "That's not for me to say". I have been forwarded an extraordinary amount of emails defaming the character of the candidates for the highest offices in our country. I have dissected and followed up on each one of them only to find that the information is either blatantly false or a half truth. What saddens me most is that the majority of people read it, believe it and delete it. I could be wrong, but I don't think people are trying to get to the bottom of the story and prove it's worth.
It's going to get uglier in the days leading up to 11/4. Most important is what the candidate stands for and is it what you believe in. Who do you think will be better at eliminating our dependence on foreign oil and helping to preserve our environment? Who is more level headed to guide us out of economic disaster? The next president will probably appoint 3 judges to the Supreme Court. How do you want them to vote? Who has a better foreign policy and who will help mend our global relations? Let's focus on the issues.
It's going to get uglier in the days leading up to 11/4. Most important is what the candidate stands for and is it what you believe in. Who do you think will be better at eliminating our dependence on foreign oil and helping to preserve our environment? Who is more level headed to guide us out of economic disaster? The next president will probably appoint 3 judges to the Supreme Court. How do you want them to vote? Who has a better foreign policy and who will help mend our global relations? Let's focus on the issues.
Labels:
candidates,
emails
Monday, October 06, 2008
Musicians Unite: UK Leads The Way
Frank Sinatra tried to unionize US musicians. He found no other takers and eventually dropped the cause. Many, Many years later in the UK, musicians are banding together to gain control of their rights and not have the record companies negotiate the deals for them. Radiohead, Billy Bragg and Robbie Williams are just a few name that have signed on. According to the Featured Artists' Coalition's website:
The Featured Artists' Coalition campaigns for the protection of performers' and musicians' rights. We want all artists to have more control of their music and a much fairer share of the profits it generates in the digital age. We speak with one voice to help artists strike a new bargain with record companies, digital distributors and others, and are campaigning for specific changes.
Their manifesto, states that it's now time that the musicians take control of their destiny in this digital age. Radiohead is leading the charge. They are the first major artist to forgo a major record label on their latest release and feel that they should not have to live by rules that were dictated by the labels, which are not supporting their interest. Musicians that are interested can join the cause. Will the US follow?
The Featured Artists' Coalition campaigns for the protection of performers' and musicians' rights. We want all artists to have more control of their music and a much fairer share of the profits it generates in the digital age. We speak with one voice to help artists strike a new bargain with record companies, digital distributors and others, and are campaigning for specific changes.
Their manifesto, states that it's now time that the musicians take control of their destiny in this digital age. Radiohead is leading the charge. They are the first major artist to forgo a major record label on their latest release and feel that they should not have to live by rules that were dictated by the labels, which are not supporting their interest. Musicians that are interested can join the cause. Will the US follow?
Friday, October 03, 2008
MySpace Music
MySpace Music finally launched after a few false starts. From comments I've seen, MySpacers who offered free downloads from their page are not happy about the change. Apparently songs won't play, lyrics can't be downloaded and you have to arrange to "sell" your music for free. Expectations were not high for this new music service. It's a shame that artists can no longer control how their music is distributed on MySpace. Through their postings, these are the same people that built MySpace.
Labels:
myspace music
Thursday, October 02, 2008
Concerts of Note
PHISH: After a 4 year retirement, Phish is reuniting for 3 shows at the Hampton Coliseum March 6, March 7 and March 8, 2009.
BRUCE SPRINGSTEEN: will perform Monday at an Eastern Michigan University rally for Barack Obama's presidential campaign. Springsteen will play a free acoustic set and headline the rally at Oestrike Stadium on Eastern Michigan's campus.
Springsteen is also scheduled to perform Saturday at a Philadelphia rally and on Sunday at Ohio State University. Springsteen will team up with Billy Joel in a joint concert at an Obama campaign fundraiser in New York City on Oct. 16 at the Hammerstien Ballroom. It looks like ticket prices range from $500 to $10,000 if there are any to be had.
.
BRUCE SPRINGSTEEN: will perform Monday at an Eastern Michigan University rally for Barack Obama's presidential campaign. Springsteen will play a free acoustic set and headline the rally at Oestrike Stadium on Eastern Michigan's campus.
Springsteen is also scheduled to perform Saturday at a Philadelphia rally and on Sunday at Ohio State University. Springsteen will team up with Billy Joel in a joint concert at an Obama campaign fundraiser in New York City on Oct. 16 at the Hammerstien Ballroom. It looks like ticket prices range from $500 to $10,000 if there are any to be had.
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Labels:
barack obama,
billy joel,
bruce springsteen,
phish
Monday, September 29, 2008
Miserable Day - Better Evening

Mets fans have been pretty forgiving. I think our patience is spent. To quote ex-Mets' Manager Yogi Berra, It's Deja Vu all over again. How does a team fall apart two years in a row, in the same fashion? At the plate, they looked like all life had been sucked from them. Were they aware they were playing for the post season? It was a suckydo ending to the illustrious history of Shea Stadium. For an short time after the game, the Shea Goodbye closing ceremonies made us put aside the debacle of a game. Mets heros of better days entered the field and crossed home plate. Tom Seaver threw the last pitch at Shea to Mike Piazza and the lights at Shea were dimmed for the last time. Anger and frustration for the 2007/8 Mets. Admiration and fondness for the 1969/86/2000 Mets.
Boosting my spirits for one hour, was the return of Dexter: The craftily written and acted story of a serial killer. Brandi Shearer's song Lullabies may have a whole new place in music as the song to repeatedly have sex to. Lullabies: the aphrodisiac, just ask Dexter's girlfriend Rita.
Labels:
brandi shearer,
Dexter,
Lullabies,
Mets
Thursday, September 25, 2008
Is Lenka the New Feist

Maybe it's something about using one name. I only listened to one song from Lenka, so it's not a scientific conclusion, but she sounds an awful lot like Feist, especially 1234. You can listen for yourself as she is the hooka of the day.
I decided to listen a little more before posting this and Bring Me Down starts off sounding like the Beach Boys Breakaway and takes a sharp right turn into girlie pop territory. Ukulele infused Don't Let Me Fall brings me right back into Feist territory. Note: strings were arranged by David Campbell who is Beck's father.
Lenka was a teen actor trained by Cate Blanchett in Australia. She now calls LA home and recorded the record in Woodstock. Mike Elizondo who has worked ith Fiona Apple and Eminem produced the record. I like the production, lots of horns and piano. Could be pulled right from a Petula Clark session.
Labels:
feist,
lenka,
mike elizondo,
petula clark
Tuesday, September 23, 2008
Lucinda Williams Protests In Songs

I've been reading a lot lately about the lack or complete absence of protest and energy in songs. The country is in shambles yet no one has written his/her "Eve Of Destruction". It looks like Lucinda has taken up the cause. She is releasing Lu in 08 a week before the U.S. presidential election, as a digital EP with live versions of 3 covers: Bob Dylan's "Masters of War," Buffalo Springfield's "For What It's Worth," and the Thievery Corporation/Wayne Coyne collaboration "Marching the Hate Machines Into the Sun." The lone original track will be "Bone of Contention."
Her ninth studio record, "Little Honey" comes out on Lost Highway on Oct. 14th.
Labels:
little honey,
lu in 08,
lucinda williams,
protest songs
Monday, September 22, 2008
A Conversation with Ken Burns and Bob Schieffer

Fordham University’s Graduate School of Business Administration hosted a conversation with Ken Burns and Bob Schieffer. I have admiration and respect for both of these men. The questions started off very basic. We found out that both of them realized in 8th grade they wanted to do what they are doing.
The theme of truth in journalism or story telling and how do you keep perspective in this age of technology was a recurring theme. We live in an era of sound bites, which can get us into trouble. Both said they would rather hear a longer version of the answer and not have to live in a 2 minute YouTube world. Bob emphasized that there is so much going on with technology, but at the core of it all is still good reporting. He said you can’t be objective but you can be fair. He feels that the nightly news is one place where both sides of a story and the facts are presented. The nightly news elaborates on stories the viewers are probably already aware of.
The name Sarah Palin seems to invoke passion and this discussion definitely had its moment. Bob spoke of how he though the press had a responsibility to find out everything they can about Palin. She’s an unknown. The facts about her need to be presented. He pointed out that the press was being unreasonably chastised for chasing the story of her 17 year-old pregnant daughter. It was the bloggers who pressed the issue and it was only after the McCain campaign issued a press release, that the mainstream press covered it. This proves that with so much information out there, whether it be truth or fiction, people have to gather the facts and make educated decisions on their own. You can’t believe a commercial that a politician endorses or creates. Question it. I remember having a button in college that said Question Authority. Chasing another aspect of the Palin nomination, Ken said he thought it was irresponsible on the part of McCain to chose a running mate without vetting her properly and one with a seemingly lack of knowledge on most foreign and domestic affairs. As Bob pointed out, Sarah would be a 72 year-old heartbeat away from the most powerful position in the world.
Bob Schieffer will be moderating the final presidential debate. He said they have been trying for years to get the candidates to agree on a real debate forum and they have finally accepted. He will ask a question, each candidate will get 2 minutes to respond. After both have spoken, they will debate the issue between them. Bob will make sure they stay on point.
I will badly quote Walter Cronkite, but he said news should be reported without adjectives and adverbs. Watching the local news, it seems like it is one big commentary. Both Mr Burns and Mr Schieffer are at the top of their respective games. I think holding on to their truths and presenting both side of a story got them there.
As an aside Bob mentioned that he will be living a lifelong dream which will take place in Nashville two days before the Tom Brokaw moderated debate there. He and his band, Honky Tonk Confidential, have been invited to play the Grand Ole Opry on October 5th with Trisha Yearwood and Kenny Chesney.
Thursday, September 18, 2008
Norman Whitfield Dies-Writer of I Heard It Through The Grapevine
Prolific songwriter Norman Whitfield died on Sept 16th.
This from USA Today:
By Steve Jones, USA TODAY
Norman Whitfield knew how to get the best out of an artist, even if the singer hated him for it.
The opening of Papa Was a Rollin' Stone— "It was the third of September. That day I'll always remember, 'cause that was the day that my daddy died" — coincidentally rang true for Temptations lead singer Dennis Edwards, whose own father had died on that date. Whitfield refused to change it, and Edwards' seething delivery set the tone for the stirring tale of paternal abandonment.
It was just one example of how the producer/songwriter steered Motown's sunny sound into darker territory in the late '60s and into the '70s.
Whitfield, who died Tuesday in Los Angeles at 67 from complications of diabetes, wrote and produced some of the label's most memorable pop hits in the early '60s before ushering in an era of socially relevant themes.
Much of what is now regarded as classic soul owes a large debt to Whitfield, who persuaded skeptical Motown founder Berry Gordy to let him stray from a wildly successful formula. His mold-breaking encouraged Marvin Gaye, Stevie Wonder and others to pursue directions that would yield some of their greatest works.
Teamed with lyricist Barrett Strong, Whitfield produced such classics as Gaye's and Gladys Knight & The Pips' I Heard It Through the Grapevine and The Tempts' Ain't Too Proud to Beg.
But his most enduring legacy came with his Sly Stone/P-Funk-influenced shift to the psychedelic funk/soul sound that featured sinister keys, reverberating guitars, moaning horns and haunting strings.
After David Ruffin parted with The Tempts in 1968 and was replaced by gruff-voiced Edwards, the group de-emphasized love songs to deal with poverty, politics, drug abuse and despair.
Between 1968 and 1973, The Tempts took to Cloud Nine, scolded the Runaway Child, Running Wild, warned Don't Let the Joneses Get You Down, partied at the Psychedelic Shack and painted a grim urban Masterpiece. Meanwhile, Edwin Starr raged against War and the Undisputed Truth cautioned about Smiling Faces Sometimes.
Whitfield left Motown in 1973 as artists grew weary of long tracks dominated by heavy instrumentation — and his outsized ego. (The back cover of The Tempts' Masterpiece album was taken up mostly by Whitfield's huge Afro and face, with only a small picture of the band.)
Establishing Whitfield Records, he had his greatest post-Motown success with Rose Royce, who scored a No. 1 pop hit in 1977 with Car Wash and had other classics like I Wanna Get Next to You, Ooh Boy, I'm Going Down and Love Don't Live Here Anymore.
This from USA Today:
By Steve Jones, USA TODAY
Norman Whitfield knew how to get the best out of an artist, even if the singer hated him for it.
The opening of Papa Was a Rollin' Stone— "It was the third of September. That day I'll always remember, 'cause that was the day that my daddy died" — coincidentally rang true for Temptations lead singer Dennis Edwards, whose own father had died on that date. Whitfield refused to change it, and Edwards' seething delivery set the tone for the stirring tale of paternal abandonment.
It was just one example of how the producer/songwriter steered Motown's sunny sound into darker territory in the late '60s and into the '70s.
Whitfield, who died Tuesday in Los Angeles at 67 from complications of diabetes, wrote and produced some of the label's most memorable pop hits in the early '60s before ushering in an era of socially relevant themes.
Much of what is now regarded as classic soul owes a large debt to Whitfield, who persuaded skeptical Motown founder Berry Gordy to let him stray from a wildly successful formula. His mold-breaking encouraged Marvin Gaye, Stevie Wonder and others to pursue directions that would yield some of their greatest works.
Teamed with lyricist Barrett Strong, Whitfield produced such classics as Gaye's and Gladys Knight & The Pips' I Heard It Through the Grapevine and The Tempts' Ain't Too Proud to Beg.
But his most enduring legacy came with his Sly Stone/P-Funk-influenced shift to the psychedelic funk/soul sound that featured sinister keys, reverberating guitars, moaning horns and haunting strings.
After David Ruffin parted with The Tempts in 1968 and was replaced by gruff-voiced Edwards, the group de-emphasized love songs to deal with poverty, politics, drug abuse and despair.
Between 1968 and 1973, The Tempts took to Cloud Nine, scolded the Runaway Child, Running Wild, warned Don't Let the Joneses Get You Down, partied at the Psychedelic Shack and painted a grim urban Masterpiece. Meanwhile, Edwin Starr raged against War and the Undisputed Truth cautioned about Smiling Faces Sometimes.
Whitfield left Motown in 1973 as artists grew weary of long tracks dominated by heavy instrumentation — and his outsized ego. (The back cover of The Tempts' Masterpiece album was taken up mostly by Whitfield's huge Afro and face, with only a small picture of the band.)
Establishing Whitfield Records, he had his greatest post-Motown success with Rose Royce, who scored a No. 1 pop hit in 1977 with Car Wash and had other classics like I Wanna Get Next to You, Ooh Boy, I'm Going Down and Love Don't Live Here Anymore.
Labels:
marvin gaye,
motown,
norman whitfield,
temptations
80's Music in Today's Music

Bruises by Brooklyn's own Chairlift is the music behind the recent iPod Nano commercial. I would have guessed them to be a British band as their music is 80's derivative. There is the underlying beat ala Phil Collin's version of You Can't Hurry Love. Thompson Twins and Berlin come to mind. I heard a piece on All Songs Considered which stated that the 80's were the worst time for music. They picked apart songs like Let's Hear It For The Boy, which of course is a very obvious target. Then they proceeded to gang up on Hall & Oates, which is so misguided. The problem in the 80's was not with the music, but with the production. Electric keyboard, drum machine heavy production masked the actual beauty of the songwriting. Say what you will about Rick Springfield, but early on he wrote great pop songs. They will never be timeless because of the production. You can say the same about Madonna. If the 80's were so bad, why are so many young musicians deriving their music from the records of that time?
Labels:
Bruises,
Chairlift,
hall and oates,
ipod nano,
Madonna,
phil collins,
thompson twins
Wednesday, September 17, 2008
Rights Restricted Music Is Back
Have the labels and studios learned anything over the past few years? An article in today's Hypebot says there is a consortium of the labels and studios who want to, once again, control how you can use what you buy.
It's been said, wants gone is gone. But apparently some in the entertainment industry failed to get the memo. A group of major film studios and record labels have joined together once again in an initiative called the Digital Entertainment Content Ecosystem to find a way to control what happens after you purchase a digital album or movie.
"The goal is to create for downloads the same kind of interoperability that's been true for physical products, such as CDs and DVDs...Once you've acquired a file, you could play it on any of your devices -- if it couldn't be passed directly from one DECE-ready device to another, you'd be allowed to download additional copies. And when you're away from home, you could stream the file to any device with a DECE-compatible Web browser." - LA Times
Its called domain based digital rights management. Apple already uses a version of it. Total freedom until you want to share what you bought with a friend...or use it on a non-compatible device.This DRM has a new name and may even be a bit less intrusive. But it's still DRM, and as such faces certain consumer rejection. When will we learn?
This is the reason I don't buy from iTunes-I don't want to be told what to do with the music I buy. Once again, those who are willing to pay for content, will be the ones to get screwed. History repeats itself, yet no one seems to learn from the lessons of the past and they continue to make those mistakes again and again. Dante's Inferno comes to mind.
It's been said, wants gone is gone. But apparently some in the entertainment industry failed to get the memo. A group of major film studios and record labels have joined together once again in an initiative called the Digital Entertainment Content Ecosystem to find a way to control what happens after you purchase a digital album or movie.
"The goal is to create for downloads the same kind of interoperability that's been true for physical products, such as CDs and DVDs...Once you've acquired a file, you could play it on any of your devices -- if it couldn't be passed directly from one DECE-ready device to another, you'd be allowed to download additional copies. And when you're away from home, you could stream the file to any device with a DECE-compatible Web browser." - LA Times
Its called domain based digital rights management. Apple already uses a version of it. Total freedom until you want to share what you bought with a friend...or use it on a non-compatible device.This DRM has a new name and may even be a bit less intrusive. But it's still DRM, and as such faces certain consumer rejection. When will we learn?
This is the reason I don't buy from iTunes-I don't want to be told what to do with the music I buy. Once again, those who are willing to pay for content, will be the ones to get screwed. History repeats itself, yet no one seems to learn from the lessons of the past and they continue to make those mistakes again and again. Dante's Inferno comes to mind.
Labels:
digital rights management,
drm,
hypebot,
iTunes
Monday, September 15, 2008
Lack of Radio An Issue for Metallica?
This was part of the Lefsetz letter today. He is so spot on when he says the Metallica record probably won't do so well because there is no place to hear it.
I hope the cornucopia of purchase options for the Metallica CD generates a heap of cash, because I don't expect that album to sell in prodigious quantities after the first week or so. Sales will tank soon. Not because the album is bad, but because there's nowhere to hear it. There's no exhibition in areas where people might be turned on to their sound, whether it be for the first time or once again.
When I managed bands such as Los Lobos and Luscious Jackson, I looked to everything except radio to further their careers. Most of the bands I worked with were not going to get the kind of airplay needed to sell millions of records. Building and keeping a solid fan base, touring, film and TV placements, corporate events, etc were the cornerstone of these bands daily routine. While the bands weren't headlining arenas, it provided a very good living for them. The artists kept their integrity. Now this seems to be the paradigm, when there is no alternative. It wasn't an alternative for these acts or me 10 years ago, which we realized and used it to our advantage.
I hope the cornucopia of purchase options for the Metallica CD generates a heap of cash, because I don't expect that album to sell in prodigious quantities after the first week or so. Sales will tank soon. Not because the album is bad, but because there's nowhere to hear it. There's no exhibition in areas where people might be turned on to their sound, whether it be for the first time or once again.
When I managed bands such as Los Lobos and Luscious Jackson, I looked to everything except radio to further their careers. Most of the bands I worked with were not going to get the kind of airplay needed to sell millions of records. Building and keeping a solid fan base, touring, film and TV placements, corporate events, etc were the cornerstone of these bands daily routine. While the bands weren't headlining arenas, it provided a very good living for them. The artists kept their integrity. Now this seems to be the paradigm, when there is no alternative. It wasn't an alternative for these acts or me 10 years ago, which we realized and used it to our advantage.
Labels:
Lefsetz,
Los Lobos,
Luscious Jackson,
Metallica
Friday, September 12, 2008
The ABBA Museum

I had no idea an ABBA museum was planned. It's been delayed. Mama Mia!
ABBA (AP) Opening Of ABBA Museum Delayed 09/11/2008 STOCKHOLM, Sweden (AP) -- The opening of a museum dedicated to Swedish pop group ABBA has been delayed. The initial target for the opening was June 2009, but project co-founder Ulf Westman said Thursday the renovation of the building will take longer than expected because it is "more complicated than what was predicted earlier." Westman did not say when the museum might open.
I tried to think of other musicians that have their own museum and only country stars came to mind. I will never forget my first trip to Nashville, besides meeting then Senator Al Gore, I walked into the Barbara Mandrell museum and there on it's own perch was the car that she was driving in 1984 when she was involved in a head on collision. Later this was renacted in the TV movie, Get To The Heart, starring Maureen McCormick as Barbara. Needless to say the car was a wreck. I found it to be a very strange introduction to a musician that I had limited knowledge of. Needless to say, I always think of that car when I hear her name.
Labels:
ABBA,
Barbara Mandrell,
Maureen McCormick,
museum
Thursday, September 11, 2008
More Cowbell
The SNL skit with Christopher Walken as the record producer who tells "Blue Oyster Cult" the problem with Don't Fear the Reaper is it needs more cowbell, is legendary. Will Ferrell is the one playing the cowbell. I bought my husband a Tshirt that says More Cowbell. He gets comments on it. Now there is a website called morecowbell.dj that allows you to upload any MP3 and add cowbell and Christopher Walken. It takes at least a minute. I uploaded It's Too Late by Carole King. It's pretty funny. It surprised me that the cowbell was in snyc with the song. I'm sure this site will be getting plenty of traffic.
Wednesday, September 10, 2008
Songs For Sale

A start up called SongVest is holding an auction for "fans" to buy a piece of the writer's share of a song. Traditionally a song's ownership is divided into a publisher and a writers share. Sometimes the writer keeps the publishing other times she/he sells a portion or all of her/his publishing rights to a publishing company such as EMI Music. Usually between the two of them, they decide if or where the song gets placed, such as commercials, in a film, etc. SongVest has partnered with songwriters or their heirs to auction off pieces of the writer's share to raise money for the writer of the song. SongVest would receive 25-40% of the total raised according to an article in the WSJ today. "Fans" that buy a share of the song would receive royalties. It is not clear how royalties are paid out or what % a shareholder would receive. SongVest's banner is Music Memorabilia with Royalty Checks.
On the site's FAQ's. The following is posted for the seller, which seems to cloud the money issue a a bit more:
What charges can I expect if I sell my song through SongVest?
a. Minimum Commission An industry standard seller’s commission between 10% -15% will be applied if your song sells, unless otherwise specified in the contract.
b. Unsold Charge If the bidding does not exceed your reserve price and the song goes unsold, an industry standard charge would normally be applied. This fee is currently being waived.
c. Platinum Award The tangible piece of the sale is a one-of-a-kind platinum album wall plaque. The charge for a double platinum award is $400 and a single platinum award is $300 plus shipping and handling. .
d. Tax Please consult your accountant on any tax related issues.
e. Thompson & Thompson Search If a search is required, the cost to do so will be paid by the seller.
One of the songs that will soon be up for auction is near and dear to my love of music: (Theme from) The Monkees written by Tommy Boyce and Bobby Hart. The 60's had such a great run of successful writing duos and Boyce/Hart were right behind King/Goffin and Weil/Mann. I played that Monkees first record so much that I'm surprised I still have it in one piece today. The album cover is a bit tattered. Another Boyce/Hart track up for auction is the theme from Days of Our Lives. Mark Hudson of the Hudson Brothers fame, as well as the father of Kate has quite a few of his songs up for auction.
Of course it makes me think that the writers of these songs are selling as they need the money now. It must be heartbreaking to give up a piece of yourself. I've never met a songwriter who didn't fell like everyone of their songs is a part of them. My first impression was more money people starting a "music company" to extract every dime out of anything they can, then it occurred to me that the writer might really benefit financially in a way that royalties alone might not.
On a design note: SongVest's website looks way too much like Sirius' website.
Labels:
bobby hart,
song writer,
songvest,
the monkees,
tommy boyce
Monday, September 08, 2008
The Baseball Project

Rock n' roll vets Scott McCaughey and Steve Wynn have an unhealthy love for music undermined only by an even more unhealthy love of baseball. The compatriots blend their two passions with The Baseball Project -- Volume 1: Frozen Ropes and Dying Quails.
Scott is not only a nice guy, but a great musician who put together The Baseball Project. Two of my favorite things are music and baseball. I heard Satchel Paige Said today on Sirius Disorder and had to investigate.
Labels:
Scott McCaughey,
Steve Wynn,
The Baseball Project
Friday, September 05, 2008
No Barracuda
During the Democrats convention I paid a lot more attention to the music as it seemed more prevalent or maybe I was just more curious as to what they were going to use. Chris Willman wrote a piece in EW exploring the use of the songs and how none of them were actually approved by the artist, which seems like a violation of copyright.
Step in Nancy Wilson of Heart, who's song Barracuda was played last night for a second time at the appearance of Sarah Palin. This after a plea from Nancy to stop the association. This was posted on the band's website:
Rock Group Heart Condemn The Use of The Song Barracuda at The Republican Convention
Ann and Nancy Wilson of Heart have informed the McCain/Palin Campaign that Universal Music Publishing and Sony BMG have sent a cease-and-desist notice to not use one of Heart's classic songs "Barracuda," as the congratulatory theme for Sarah Palin.
The Republican campaign did not ask for permission to use the song, nor would they have been granted that permission.
"We have asked the Republican campaign not to use our music.
We hope our wishes will be honored."
Step in Nancy Wilson of Heart, who's song Barracuda was played last night for a second time at the appearance of Sarah Palin. This after a plea from Nancy to stop the association. This was posted on the band's website:
Rock Group Heart Condemn The Use of The Song Barracuda at The Republican Convention
Ann and Nancy Wilson of Heart have informed the McCain/Palin Campaign that Universal Music Publishing and Sony BMG have sent a cease-and-desist notice to not use one of Heart's classic songs "Barracuda," as the congratulatory theme for Sarah Palin.
The Republican campaign did not ask for permission to use the song, nor would they have been granted that permission.
"We have asked the Republican campaign not to use our music.
We hope our wishes will be honored."
Labels:
Barracuda,
Chris Willman,
EW,
Heart,
republicans,
Sarah Palin
Thursday, September 04, 2008
Dave Stewart Reveals All

Dave Stewart, most prominently known as one half of Eurythmics, has a book out: The Dave Stewart Songbook: The Stories Behind The Songs - Volume One. He reveals the stories behind the songs he's written or co-written. His interview on Howard Stern this morning was very revealing, which makes me think his book is probably a fun read. He talked about his one night stand with Stevie Nicks. Early in his career he was playing LA and Stevie was at the gig. He approached her and said I want to be your boyfriend. Fast forward to later that night, he's in her house, people are in another room doing drugs, he has no idea where he is, finds a bedroom and falls asleep. Hours later Stevie enters his room and sex insues (with leather and chains, not lace). Unbeknownst to Stewart, Stevie has just broken up with Joe Walsh the day before. Who knew they were an item? Joe shows up at her house the next morning. Stewart is still there and Stevie tells Joe "Don't Come Around Here No More", hence the classic Tom Petty song was born.
Labels:
Dave Stewart,
howard stern,
Joe Walsh,
Stevie Nicks
Wednesday, September 03, 2008
The Sheild is Back
According to an article in the NY Times we have 12 more episodes left, which is 3 more than I thought they were offering. The first show of the last season had me on edge once again. The Shield is a rarity: it hasn't jumped the shark. I can't say the show gets better as it is consistently great. Everyone's family is in danger. Vic got a reprieve of 30 days to stay at the Barn and Shane is so deep in trouble that the only thing that can help him are Vic and Ronnie. Welcome back!
Labels:
The Shield
Friday, August 29, 2008
Music and the Convention

The Democratic Convention has come to an end. There were some powerful moments and some tearjerkers. Did you see Joe Biden's son's introduction? Through it all I was very aware of the music, whether it be in the background, on the stage at Invesco Field or closing out the night. There were some interesting choices. I would love to know who was calling the music shots or did those speaking, chose their own anthems? Here are some comments in no particular order.
I couldn't help but smile when Al Gore walked on and off the stage to Aquarius/Let The Sunshine In. I still have my 45 of that song by The Fifth Dimension. I'm guessing it wasn't chosen for the Hair/hippy aspect of the song, but taken literally as we're saving the planet, the sun is shinning, let's all recycle.
Hillary Clinton's choice of music in the video that played before her speech, could have been on any rock fan's mixed party tape: You Really Got Me, Are You Gonna Go My Way and my favorite of all the songs played, Tom Petty's American Girl. Bill Clinton exited to U2's Beautiful Day.
Caroline Kennedy entered to Sweet Caroline, which Neil Diamond revealed for Caroline's 50th birthday that he was inspired to write the song by a photo of the president's daughter. Michael McDonald sang American the Beautiful.
Sheryl Crow was on hand (as she is for almost any event) and was followed by Stevie Wonder, whose music bookended the convention. Isn't She Lovely was played after Michelle Obama's speech and last night he performed (with Take 6) Fears Can't Put Your Dreams to Sleep, which I believe PBS said was played at Barak's wedding followed by a rousing Signed Sealed Delivered which he dedicated to Barak and Michelle. I don't think there was one person in that stadium that did not know that song. John Legend also bookended, but both his performances were live, the latter with Will I Am.
The strangest choice of music surrounded the man of the hour. After Barak's speech the sounds of Brooks and Dunn's Only In America surrounded the stadium. I wouldn't peg him as a B&D fan. This was followed by what sounded to me like music from the Ponderosa, which I later read was the soundtrack music from the film Remember the Titians, written by Trevor Rabin.
If I chose candidates based on the music, Hillary would get my vote at this convention.
Wednesday, August 27, 2008
Irma Thomas "Simply Grand"
Irma Thomas' new record, Simply Grand contains 14 songs with piano accompaniment by Randy Newman, Norah Jones, John Medeski and Dr John to name a few. She talked about music today in an article in the WSJ. "A lot of music today is not giving the rawness it should. It's losing something with the technicality of it." In reference to vocal-enhancement technology, she called it "a gimmick" She recorded her new record in New Orleans, LA and NY using one day to lay down each track. When asked about the challenges of recording an album in 14 days with just a few hours for a session with each of the above mentioned musicians she elaborated, "when you have two professionals in the studio who are both confident that the other will enhance the other, then all you do is run through it, find the key, verses and bridge." In response to comparing this recording to live performing Irma says "when you walk on stage, you don't have time to technically rip a song apart. You just go out there and sing. That's what you want to capture." Here's a lady who's been doing it for a long time and these are words for musicians to live by. Amen.
Labels:
Dr John,
Irma Thomas,
John medeski,
Norah Jones,
Randy Newman,
Simply Grand
Tuesday, August 26, 2008
What Was That Dress Thing?

I'm still having a hard time with London's contribution to the closing Olympic ceremonies. With all the music talent that has come out of England, they chose Leona Lewis, the winner of the TV show The X Factor (Simon Cowell's version of Pop Idol) to perform with Jimmy Page to represent London. On top of a double decker bus, the two went at Whole Lotta Love. In the middle of the song, Leona rose to new heights as she was hydraulically raised another 8 feet or so into the air, the long train of her dress following her. This seems to be a trend with female singers. Carrie Underwood utilized it when opening for Keith Urban. Neither singer was able to move while performing, probably for fear of breaking their collar bone from a tumble. Performers have been elevating on platforms for years, but not with their dress getting longer and longer as the fear of falling is written all over their faces. It's cheesy and it takes away from the song and singer. Leona is a capable singer, but should not be tackling a classic like Whole Lotta Love. Jimmy Page is a rock god and still looks like he's having fun. All of these elements along with David Beckham who looked like he would rather be anywhere else and it was embarrassing, especially when held up to the spectacular opening and closing orchestrated by Zhang Yimou along with Chinese choreographers Zhang Jigang and Chen Weiya.
Friday, August 22, 2008
iTunes Subscription Service?
This appeared on MacDailyNews:
RUMOR: Apple to hold special event in late September to debut iTunes Music subscriptions, more
Wednesday, August 20, 2008 - 09:03 AM EDT
An anonymous tipster has told MacDailyNews that Apple will hold a special media event in late September that will discuss and/or announce the following. The information that the source provided, verbatim:
• MobileMe, iPhone, iPod Touch
- Enable disk use
- When enabled for disk use, iDisk folder accessible
- iDisk app
- Viewable formats can be opened, other formats grayed out
- Button to sync with MobileMe
- Photo syncing support via MobileMe
- October launch
• iTunes Unlimited
- 256 Kbps music; highest quality digital music subscription service ever
- 50% of U.S. store available for iTunes Unlimited at launch, U.S.-only launch
- Available through iTunes or retail box a la MobileMe, funds applied through iTunes gift cards cannot be used towards subscription purchase
- $129.99 stand-alone or $179.99 with MobileMe, current MobileMe subscribers can add iTunes Unlimited for $99.99
- One-year subscription period
- Current a la carte options unchanged
- When signed in to subscription account, “Buy” is “Get”
- “Download and Play throughout iTunes Unlimited Subscription” or “Buy and Keep”
- “Buy and Keep” option available for downloaded subscription songs, purchased version replaces subscription version
RUMOR: Apple to hold special event in late September to debut iTunes Music subscriptions, more
Wednesday, August 20, 2008 - 09:03 AM EDT
An anonymous tipster has told MacDailyNews that Apple will hold a special media event in late September that will discuss and/or announce the following. The information that the source provided, verbatim:
• MobileMe, iPhone, iPod Touch
- Enable disk use
- When enabled for disk use, iDisk folder accessible
- iDisk app
- Viewable formats can be opened, other formats grayed out
- Button to sync with MobileMe
- Photo syncing support via MobileMe
- October launch
• iTunes Unlimited
- 256 Kbps music; highest quality digital music subscription service ever
- 50% of U.S. store available for iTunes Unlimited at launch, U.S.-only launch
- Available through iTunes or retail box a la MobileMe, funds applied through iTunes gift cards cannot be used towards subscription purchase
- $129.99 stand-alone or $179.99 with MobileMe, current MobileMe subscribers can add iTunes Unlimited for $99.99
- One-year subscription period
- Current a la carte options unchanged
- When signed in to subscription account, “Buy” is “Get”
- “Download and Play throughout iTunes Unlimited Subscription” or “Buy and Keep”
- “Buy and Keep” option available for downloaded subscription songs, purchased version replaces subscription version
Thursday, August 21, 2008
Microsoft Ads About Nothing

Jerry Seinfeld is the new pitchman for Microsoft. The ads will start appearing Sept 4. According to the WSJ: "Microsoft weary of being cast as a stodgy oldster by Apple's advertising, is turning for help to Jerry Seinfeld." The campaign is reported to cost $300 million with $30 million of that going into Jerry's pockets. Microsoft is trying to turn the tide on the negative publicity they have gotten from their Vista operating system. The article said that other celebrities were considered such as Will Ferrell and Chris Rock. It seems to me that if you want to connect with a younger audience and cast doubt on Apple's smart, sassy Mac Vs. PC ads, they go with Will or Chris. My bet would be on Chris.
Jerry's show went off the air in 1998, although it's all over the place in syndication. Does he still resonate with people? I was a faithful viewer of Seinfeld when it originally aired. I find it hard watching it now. It does not hold up the way I Love Lucy, The Mary Tyler Moore Show, The Bob Newhart Show, The Dick Van Dyke Show and more recently, Everybody Loves Raymond has. Jerry hasn't been in the public eye recently, except for his misguided comments on Letterman attacking the woman who's publishing company accused his wife of plagiarizing a cookbook. It seems to me that both Will Ferrell (bring back "More Cowbell") and/or Chris Rock would be much more in tune with todays audience. Everybody Hates Chris is a wonderful show that every parent should make their kids watch. Watch full episodes on the shows site. Wasn't Will's website behind the Paris Hilton rebuttal to the crazy McCain ads? Many watched and it was well done. Bill Gates will be appearing in the ads with Jerry. I'll be watching closely to see if this ad campaign brings a hipper image to Microsoft.
Note: Only Chris Rock's website URL is his name. Neither Jerry or Will's name will link to a site.
Labels:
Bill Gates,
Chris Rock,
Jerry Seinfeld,
Microsoft,
Will Ferrell
Wednesday, August 20, 2008
Rock & Roll Heaven
It's been said that celebrity deaths come in threes. In the past few days we've lost two music legends: Isaac Hayes and Jerry Wexler. Yesterday Dave Matthews Band sax player LeRoi Moore died at age 45 from complications from a vehicle accident.
Labels:
isaac hayes,
jerry wexler,
leRoi moore
Tuesday, August 19, 2008
John Rich Claims to Know What Johnny Cash Would Do
Apparently John Rich is now throwing around Johnny Cash's name like he's been in touch with him recently. As an avid McCain supporter, he has stated that he knows Johnny Cash would support McCain also. How can you speak for someone who can no longer speak for themselves? Rosanne Cash was none too happy with the use of her father's name. Eloquent as ever, she had this to say on her website:
Regarding the Use of My Father’s Name To Further Political Agendas:
August 15, 2008: It is appalling to me that people still want to invoke my father’s name, five years after his death, to ascribe beliefs, ideals, values and loyalties to him that cannot possibly be determined, and to try to further their own agendas by doing so. I knew my father pretty well, at least better than some of those who entitle themselves to his legacy and his supposed ideals, and even I would not presume to say publicly what I ‘know’ he thought or felt. This is especially dangerous in the case of political affiliation.
It is unfair and presumptuous to use him to bolster any platform. I would ask that my father not be co-opted in this election for either side, since he is clearly not here to defend or state his own allegiance.
Rosanne Cash
Regarding the Use of My Father’s Name To Further Political Agendas:
August 15, 2008: It is appalling to me that people still want to invoke my father’s name, five years after his death, to ascribe beliefs, ideals, values and loyalties to him that cannot possibly be determined, and to try to further their own agendas by doing so. I knew my father pretty well, at least better than some of those who entitle themselves to his legacy and his supposed ideals, and even I would not presume to say publicly what I ‘know’ he thought or felt. This is especially dangerous in the case of political affiliation.
It is unfair and presumptuous to use him to bolster any platform. I would ask that my father not be co-opted in this election for either side, since he is clearly not here to defend or state his own allegiance.
Rosanne Cash
Labels:
John McCain,
John Rich,
johnny cahs,
rosanne cash
Monday, August 18, 2008
The Two Joans
Have they been talking to each other? Both have albums impacting radio this week and here are the titles:
JOAN BAEZ "God Is God"
JOAN OSBORNE "Hallelujah In The City"
JOAN BAEZ "God Is God"
JOAN OSBORNE "Hallelujah In The City"
Labels:
jJoan Baez,
Joan Osborne
Sampling: Easy Way Out or Genius

Today I was hit twice with the sample as a song issue. On Howard Stern they discussed Kid Rock's All Summer Long-not to be confused with the Beach Boys' song of the same name (although I'd like to hear Kid Rock's version of that song). Sampling might be too loose a word, he uses the backing track for Werewolves of London throughout the song, except when he samples the guitar riff from Sweet Home Alabama. It's a fun song about his younger days in Detroit and it's a big hit. When a musician takes a song(s) that already exists and creates different lyrics and adds his/her vocal to it, is it genius or just taking the easy way out? Both songs have very recognizable instrumental parts, which Kid Rock is capitalizing on. It's always easier to get people to listen to something that is familiar, then to get them involved in something experimental that doesn't strike a chord until years later.
Today's Record of the Day is Girls by the Sugababes. It's a fun upbeat song that is basically a slightly reworked version of Ernie K. Doe's Here Comes the Girls. Not much difference in the Sugababes version to me. They'll probably have a hit with this.
Both are fun songs that don't ask too much of the listener, making them perfect for the dog days of summer.
Friday, August 15, 2008
What Does the Artist Think About Tix Prices?
I have been obsessing over Cheap Trick lately. Can't listen to enough. I need to see them live as it's been a few years. They are on the road with Heart and Journey and are opening the show with a 45 minute set, which probably means they'll play the hits but I wouldn't get to hear Top Of The World or Say Goodbye. I went on the Jones Beach website, where this show played Thursday night, to check out ticket prices and my eyes nearly fell out. They were in the range of $65 for the cheapest seats, all the way into the $500 (this gets you the first few rows, VIP parking and tent) range with most tickets falling in the $150 range. I don't have the numbers yet on this show, but the tour is doing well, in most cases selling out the venues. Both Cheap Trick and Heart are still in tact, but the lead singer of Journey was found on YouTube and I'm sure it's Journey that is packing then in. Journey has had their share of lead singers.
People that buy the first few rows at this price are either independently wealthy or get their company to buy the tickets. In this economy, the vast majority will not have a grand to spend on one show. In this case, I'm guessing these are the people who would like a glass of wine or cocktail to go with their concert (who wouldn't?). I can't imagine they are the ones who know the lyrics to every song, can list all the tracks in order on side one of Evolution or stand up and clap, scream, etc. As a musician, don't you want the dedicated fans, the ones who know every album, the ones who know what your kids are named in the first few rows as that's probably all you can see anyway? Don't you want the excitement coming from the front and spreading to the back? Don't you want the rest of the venue to see the front rows standing and cheering every song? I'm guessing that doesn't happen when the ticket prices are that high. Maybe I'm wrong, I haven't seen the show. I know there is money to made, but isn't a show that packs energy, leaves the fan begging for more, a lot more satisfying. Maybe not. No one is getting any younger.
The PS to this story: On the Cheap Trick message board fans stated that the show started 45 minutes last, it was raining, the band only played for 25 minutes and here is the set list:
Oh Claire, 70's Song, California Man, I Want You To Want Me, The Flame, Surrender, Goodnight Now, Dream Police
People that buy the first few rows at this price are either independently wealthy or get their company to buy the tickets. In this economy, the vast majority will not have a grand to spend on one show. In this case, I'm guessing these are the people who would like a glass of wine or cocktail to go with their concert (who wouldn't?). I can't imagine they are the ones who know the lyrics to every song, can list all the tracks in order on side one of Evolution or stand up and clap, scream, etc. As a musician, don't you want the dedicated fans, the ones who know every album, the ones who know what your kids are named in the first few rows as that's probably all you can see anyway? Don't you want the excitement coming from the front and spreading to the back? Don't you want the rest of the venue to see the front rows standing and cheering every song? I'm guessing that doesn't happen when the ticket prices are that high. Maybe I'm wrong, I haven't seen the show. I know there is money to made, but isn't a show that packs energy, leaves the fan begging for more, a lot more satisfying. Maybe not. No one is getting any younger.
The PS to this story: On the Cheap Trick message board fans stated that the show started 45 minutes last, it was raining, the band only played for 25 minutes and here is the set list:
Oh Claire, 70's Song, California Man, I Want You To Want Me, The Flame, Surrender, Goodnight Now, Dream Police
Labels:
Cheap Trick,
Heart,
Jones Beach,
Journey
Thursday, August 14, 2008
Rock & Roll Hall of Fame gets a NY Annex for At Least 2 Years
NEW YORK (AP) -- The Rock and Roll Hall of Fame is going on the road to New York -- the city that spawned hip-hop and gave Bob Dylan and the Ramones their start.
Mayor Michael Bloomberg announced Wednesday that the Cleveland-based museum is opening an annex in downtown Manhattan. It is the first of several planned outposts that will take its collection of artifacts to a wider audience, possibly as far as the Middle East.
Billy Joel and Clive Davis joined the mayor at the location in SoHo where the branch will open in November. Joel, who said he was donating some memorabilia to the museum, recalled how he has played every New York venue from Carnegie Hall to Shea Stadium.
"New York gave me my words and my music, and rock and roll gave me a place for that music to live," Joel said.
The 25,000-square-foot annex will house Bruce Springsteen's 1957 Chevy and will feature a number of different exhibits, including one with sites around the city that have musical significance.
"There really isn't a more fitting spot for this museum than New York, the hometown of hall of famers like the Velvet Underground, Paul Simon and Blondie ... this is where Ed Sullivan met the Beatles, where Lou Reed took a walk on the wild side," Bloomberg said.
The New York annex will be open for a minimum of two years, longer if it proves successful. It's backed financially by Running Subway Productions, a New York-based entertainment company known for "Bodies ... The Exhibition" and the Broadway production of "How the Grinch Stole Christmas!"
Among the planned exhibits is "New York Rocks," which is dedicated to Big Apple artists such as Joel and the Talking Heads' David Byrne. The exhibit will feature an interactive map of musically significant Manhattan locations such as Studio 54 and the landmarked Chelsea Hotel, whose guests and residents have included many famous artists and musicians including the Sex Pistols' Sid Vicious. The front awning and cash register of the recently closed club CBGB will be on display.
A number of exhibits that appeared in Cleveland will also make their way to New York, beginning with the museum's look at the Clash.
Admission at the New York annex will be $26 for adults. The Cleveland museum charges $22 for adult admission.
I wonder if the first exhibit will focus on the Clash in NY. I have plenty of ticket stubs: The Palladium (before it became a dorm), Bonds, etc..... Why is Studio 54 being featured? I don't remember any rock & roll happening there. Lots of sex and drugs, but not much rock and roll.
Mayor Michael Bloomberg announced Wednesday that the Cleveland-based museum is opening an annex in downtown Manhattan. It is the first of several planned outposts that will take its collection of artifacts to a wider audience, possibly as far as the Middle East.
Billy Joel and Clive Davis joined the mayor at the location in SoHo where the branch will open in November. Joel, who said he was donating some memorabilia to the museum, recalled how he has played every New York venue from Carnegie Hall to Shea Stadium.
"New York gave me my words and my music, and rock and roll gave me a place for that music to live," Joel said.
The 25,000-square-foot annex will house Bruce Springsteen's 1957 Chevy and will feature a number of different exhibits, including one with sites around the city that have musical significance.
"There really isn't a more fitting spot for this museum than New York, the hometown of hall of famers like the Velvet Underground, Paul Simon and Blondie ... this is where Ed Sullivan met the Beatles, where Lou Reed took a walk on the wild side," Bloomberg said.
The New York annex will be open for a minimum of two years, longer if it proves successful. It's backed financially by Running Subway Productions, a New York-based entertainment company known for "Bodies ... The Exhibition" and the Broadway production of "How the Grinch Stole Christmas!"
Among the planned exhibits is "New York Rocks," which is dedicated to Big Apple artists such as Joel and the Talking Heads' David Byrne. The exhibit will feature an interactive map of musically significant Manhattan locations such as Studio 54 and the landmarked Chelsea Hotel, whose guests and residents have included many famous artists and musicians including the Sex Pistols' Sid Vicious. The front awning and cash register of the recently closed club CBGB will be on display.
A number of exhibits that appeared in Cleveland will also make their way to New York, beginning with the museum's look at the Clash.
Admission at the New York annex will be $26 for adults. The Cleveland museum charges $22 for adult admission.
I wonder if the first exhibit will focus on the Clash in NY. I have plenty of ticket stubs: The Palladium (before it became a dorm), Bonds, etc..... Why is Studio 54 being featured? I don't remember any rock & roll happening there. Lots of sex and drugs, but not much rock and roll.
Labels:
rock and roll hall of fame,
studio 54,
The Clash
Greetings from Beijing
Steve King is working the Olympics. He took some great photos. My favorite is this one of a trash can. If you can't see the translation, it reads: Protect Circum Stance begin with me.
Labels:
beijing,
nbc,
steve king
Wednesday, August 13, 2008
Celebrating Misdaventures In Stereo at Joe's Pub
There was not a space to be filled on the stage at Joe's Pub last night. Jim Boggia and his very large band celebrated the release of his new album by performing the entire album, which can be purchased on CD and/or vinyl. He encouraged the audience to buy two copies of the LP and play simultaneously, as it's recorded in mono. Mono made me think of Pet Sounds. Pet Sounds co-writer is Tony Asher. Tony Asher co-wrote with Jim, Chalk One Up for Albert's Sake. Last night the horn section added that borderline melancholy Pet Sounds feeling to the song. The drum fills and vocals at the end of the song were pure Pet Sounds. Adding these little touches to the song hinted at its co-writer's pedigree. The song’s opening reminded me of a faster version of the Rascals’ Girl Like You. All of this, makes for a multi-layered, good pop song. As I’ve said before, I think one of the endearing things about Jim is he wears his influences on his sleeve.
An aside: On leaving the show, my friend Sean and I were contemplating that there are two songs we can think of with the name Albert (remember Uncle Albert/Admiral Halsey?) in the title, which also happens to be my father and brother's name. We couldn't come up with one song with Sean (or Shawn) in the title.
Jim reaches back into his musical memory for songs like 8 Track, a fun, put the top down, Rubinoos type song and Listening to NRBQ. Both songs evoke the days when radio was king, albums were listened to on both Side A and Side B and liner notes were read.
Ben Carroll joined Jim on stage (at this point it was only Jim and Ben) to add vocals to a touching acoustic version of On Your Birthday which Jim co-wrote with David Poe. Jim usually plays at least one cover and it was a soulful version of I’d Rather Be Blind, which has been recorded by Etta James and Faces.
A great live performance is made that much better when the backing singers and band are having too much fun. This was clearly happening. In the trio of singers was Kate who performed with him at his last NY show. Their energy combined with Mr Boggia’s had me clapping along and having a great time. I guarantee you’ll have a smile on your face during and after a Jim Boggia show.
Labels:
"Tony Asher",
Ben Carroll,
David Poe,
jim boggia,
Joe's Pub,
Pet Sounds
Friday, August 08, 2008
Clash Bootleg

The Clash's October 13, 1982 performance at Shea Stadium is soon to be release on Sony Legacy. Announced in Billboard this week, the album will contain the following songs:
Kosmo Vinyl Introduction
"London Calling"
"Police on My Back"
"Guns Of Brixton"
"Tommy Gun"
"The Magnificent Seven"
"Armagideon Time"
"The Magnificent Seven"
"Rock the Casbah"
"Train in Vain"
"Career Opportunities"
"Spanish Bombs"
"Clampdown"
"English Civil War"
"Should I Stay or Should I Go"
"I Fought the Law"
Sigh, no Lost In a Supermarket ...
Legacy does things right, so I'm looking forward to this package. It will be interesting to see if this release coincides with the final weeks of post season play at Shea. As a Mets fan, I can hope, can't I?
Labels:
Live at Shea Stadium,
The Clash
Thursday, August 07, 2008
Sony to Buy Back BMG
Is anyone else scratching their head? Sony Corp agreed to buy Bertelsmann's half of their SonyBMG Music venture. According to the WSJ, Sony hopes this will give it an inexpensive way to bolster it's consumer-electronics business. In the past Sony, has not been successful in building synergies between it's divisions. Do they believe this will work now? In the bulk of cases, they will have to get artists approval before they make any moves. I'm not sure I see Springsteen letting them use Glory Days for a new Sony TV ad. It remains to be seen where this acquisition will lead them.
Labels:
bertelsmann,
sony bmg,
Springsteen
Tuesday, August 05, 2008
Jim Boggia @ Joe's Pub
7:30pm on Tuesday August 12th see Jim Boggia @ Joe's Pub-There will be a lot on the small stage. He's playing with a large band to celebrate the release of Misadventures In Stero.
Labels:
"jim boggia",
Joe's Pub,
Misadventures in Stereo
Monday, July 28, 2008
The Pretenders Free Each Week
The new Pretenders album will be given away track by track each week. It kicks off this week with spinner.com releasing Boots of Chinese Plastic. Each week the band's website will list the next web space to find a new track. Break Up The Concrete has Chrissie working with guitarist James Walbourne, pedal steel from Eric Heywood, and the rhythm section of bassist Nick Wilkinson and drummer Jim Keltner.
Wrigley's Gum - The Hitmaker
It's nothing new for an advertisement to contain a pop song. It is usual when an artist, in this case Chris Brown, records a new song, Forever, which incorporates the tag line to the ad campaign: Double your pleasure, double your fun. It's the right one, Doublemint gum and the song charts in the Billboard Top 100, even before it's released in an ad. Wrigley's did not disclose how much they paid Mr Brown for his service, but they additionally picked up all the recording costs. His record label Jive, was at first reluctant to release the single. Why would they hesitate? Another company is paying recording costs? Seems like a no-brainier. Was the label afraid of selling out? There are different versions of the song for radio ads, etc, but they are pretty close to the original. Translation Advertising created the campaign. Also recording songs which will remain as spots are Julianne Hough and Ne-Yo. I would love to know how much influence this song will have on the consumer and will it sell more gum? I can't imagine this is a low budget campaign. How much gum will they have to sell to break even? Here's the link to the WSJ article.
For years I've been surprised that advertisers don't sponsor a whole album, much the same way BMW was the sole sponsor on the premier episode of Mad Men last night. Recording costs can be relatively inexpensive and they can throw in producing a video. Maybe the video features the sponsor's item. The sponsor can promote the album through their regular advertising channels. They have all the music they need to promote their product, the artists gets the recognition they need and everyone is happy.
For years I've been surprised that advertisers don't sponsor a whole album, much the same way BMW was the sole sponsor on the premier episode of Mad Men last night. Recording costs can be relatively inexpensive and they can throw in producing a video. Maybe the video features the sponsor's item. The sponsor can promote the album through their regular advertising channels. They have all the music they need to promote their product, the artists gets the recognition they need and everyone is happy.
Labels:
Chris Brown,
Julianna Hough,
Ne-Yo.,
Wrigley's gum
Thursday, July 24, 2008
The New Wave of Music Reminds Me of the Old

I'm not sure if listening to music for so many years has given me a very broad music reference library in my head. Why do 4 out of 5 songs I hear on Record of the Day sound exactly like something that could have been recorded more than 20 years ago? Is it a younger group of musicians discovering music I grew up with and having it seep into their subconscious psyche?
Here are a few examples. These references came to mind within a few seconds of hearing the song:
Maybe I'm Crazy is a demo by two musicians called Mike. This could be a Nick Gilder song. He recorded Hot Child In The City. Surprised no one had a hit with that again. There was something pleasantly pop and sleazy going on in that song.
Avenue is a pop band out of the UK. They are being touted as the next boy band. Their song Last Goodbye is Rick Springfield without the 80's production and keyboards. It's actually a good song if you don't watch the video, which drags the track down. Rick Springfield had tons of energy in his live show. From the video I've seen, they do not share that same energy. The track is full of it, but the lads aren't translating that. They do pogo though.
VV Brown another Brit, wants to be the modern Ruth Brown. You can hear the influence in Crying Blood. The R&B/pop revival coming from the UK, initiated by Amy Winehouse is in full swing. This is one from left field, but even with the remixes, this song reminds me of Freddy Cannon: He of Palisades Park and Action fame. View his performance of Action on YouTube. Avenue must have been studying his moves. Action was the theme song to Where the Action Is, penned by Boyce and Hart. The show's hosts were Paul Revere and the Raiders and it took musicians to a different location each week. It's not that Crying Blood specifically sounds like one of Freddy's songs, it reminds me of all of his songs.
Both Avenue and VV are on Island Records.
Wednesday, July 23, 2008
Is there anything worse than a Blown Save?
Is there any worse than a Blown Save, when it's your team that is blowing the save? Mark called at 2pm to say he had 4 tickets for me for the game: Phillies and Santana! I'm there. At 9:30 the game at Shea was moving along nicely with the Mets ahead 5-2. The Shea air was stagnant, with the threat of a storm but it held off. Never feeling like I can breath a sigh of relief no matter how many runs are on the board, I was ready for the top of the 9th. The guy seated behind me had yelled a few innings earlier that he knew the game would be tied. He underestimated things. The Mets needed 3 outs to be in sole possession of first place - something that has eluded the team this year. The Philles pounded on Sanchez. Joe Smith got the ground ball, but Reyes had a problem figuring out what to do with it. The rest is depressing. Maybe the bigger question here is WHY AREN'T STARTING PITCHERS ALLOWED TO PITCH THE 9TH INNING ANYMORE?????
Labels:
duaner sanchez,
joe smith,
johan santana,
Mets,
phillies,
shea stadium
Wednesday, July 16, 2008
Concert Going Can Be Fatal To Your Eyesight
Dozens Blinded By Lasers At Russian Festival
MOSCOW (AP) - A laser show at an outdoor music festival near Moscow burned the retinas of more than 30 people and some may lose their sight, Russian news reports said Monday.
Some concertgoers lost up to 80 percent of their vision after attending the Aquamarine Music Festival on July 5, the newspaper Kommersant reported. According to the reports, concertgoers said the festival's dance floor was covered by a canopy because it was raining. The lasers were pointed horizontally under the tent instead of into the sky, which led to the injuries, the reports said.
MOSCOW (AP) - A laser show at an outdoor music festival near Moscow burned the retinas of more than 30 people and some may lose their sight, Russian news reports said Monday.
Some concertgoers lost up to 80 percent of their vision after attending the Aquamarine Music Festival on July 5, the newspaper Kommersant reported. According to the reports, concertgoers said the festival's dance floor was covered by a canopy because it was raining. The lasers were pointed horizontally under the tent instead of into the sky, which led to the injuries, the reports said.
Tuesday, July 15, 2008
Statues, All Stars and Omnipresent Jerseys
Between yesterday and today, I photographed all the major league team-represented Statues of Liberty. If you remember the cows that were painted and placed all over the city years ago, or the angels in LA, this is that sort of thing. One difference is all of these were done by the same company with one exception. There are 42 statues. I captured the 30 teams and Shea Stadium, which was my favorite.
It would have made for a more interesting trek if each was unique and I would have spent more than about 30 second at each statue. Even with a 30 second stop time, I think I spent about 7-8 hours in total getting from place to place. An unlimited Metrocard made it easier.
The Astros statue seemed to be deep in thought or maybe just pondering Madonna's next visit to the Reebok gym which it is poised in front of.
This was the closest I could get to Ms Cubs. The area is near the Stock Exchange which is closely guarded.
Whenever there is an event in New York, the city is nicer, happier and more polite. People wanted to know how many photos you got so far, do you want me to take your photo with the statue, etc. The ironic thing is everyone I encountered was a Mets or Yankee fan. I'm sure there are plenty out-of-towners here for the game (I've witnessed many a Boston Jersey), but I didn't see them taking photos or chatting. Maybe New Yorkers are just as crazy as the town we live in and what makes us tick are enjoying the unique things our home has to offer.
It would have made for a more interesting trek if each was unique and I would have spent more than about 30 second at each statue. Even with a 30 second stop time, I think I spent about 7-8 hours in total getting from place to place. An unlimited Metrocard made it easier.
The Astros statue seemed to be deep in thought or maybe just pondering Madonna's next visit to the Reebok gym which it is poised in front of.
This was the closest I could get to Ms Cubs. The area is near the Stock Exchange which is closely guarded.Whenever there is an event in New York, the city is nicer, happier and more polite. People wanted to know how many photos you got so far, do you want me to take your photo with the statue, etc. The ironic thing is everyone I encountered was a Mets or Yankee fan. I'm sure there are plenty out-of-towners here for the game (I've witnessed many a Boston Jersey), but I didn't see them taking photos or chatting. Maybe New Yorkers are just as crazy as the town we live in and what makes us tick are enjoying the unique things our home has to offer.
Labels:
All Star game,
Astros,
Cubs,
Mets,
Statues of Liberty
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