Apple Record Retailer

iTunes climbed into second place among music retailers in 2007, behind only Wal-Mart according to the latest NDP Group research. Apple has sold over 4 billion songs to date.

Could this Warner Bros Records rumor be true?

Celeb blogger Perez Hilton is talks with Warner Bros. Records to become a music talent agent for the label, according to The New York Times. -Cynopsis: DIGITAL

I'd like to think I could pass that info off, but there is probably some substance to it. Shouldn't Warner Bros be looking in clubs, talking to music publishers, listening to music to find talent? It's out there. I can't imagine it's on a gossip blog. It's hard for me to hear this having worked with so many great people that are part of or have been part of the label. This place was all about putting out records that you had to pay attention to.

Rosanne Cash on John Stewart

When I worked with Rosanne Cash she co-wrote with John Stewart, the result was Dance with the Tiger. I loved that he was the guy that wrote Daydream Believer. Always a huge Monkees fan, it impressed me immensely. He also wrote her hit Runaway Train. Rosanne fostered a lifelong friendship with John.

I just read the heartfelt piece Rosanne posted on her website as a tribute to him. He died last month . This piece was so beautifully written and self humiliating on her part that it was worth sharing with you. He was another unsung, yet highly influential part of music history. Click here to read.

Grammy Comment

I saw this comment on the Lefsetz Letter and I hope Julie doesn't mind that I'm posting it here. She summed up the telecast so well.......

From: Julie Ann May
Subject: Grammys Golden-Grey

What a great 50-years-ago show! If it had aired in Black & White it
really would have connected with its audience - then again maybe not all
of them back here in the east who were probably asleep by 10...

URBAN RENEWAL

Seeing Keith Urban last night at the Garden was a jolt to the system. It reminded me that rock is not dead; that there are still arena-filling musicians who are in it for the music and are appreciative for their audience, their band and crew. He could have played it safe, but didn’t and that’s what made it great performance.

He opened with Once In A Lifetime, which happens to be my favorite of his. That of course made me think ok, is it over for me? It actually signaled to tighten the seat belt, I’m in for a ride. He came out like gangbusters and never let up. He had sweat pouring down his face by song two.

Phil Spector has his wall of sound, Keith has a wall of guitars, 4 + him to be exact. The configurations were numerous. His band traded off on guitar (acoustic and electric), banjo, mandolin, bass and keyboards. Keith, unlike most artists afraid to let their band outshine them, embraced their talent and let them have as much fun as him. Yes, everyone on that stage was having a blast, which infected the audience.

Midway through the set, the band went to the base of the runway that dissected the floor of the Garden and did an acoustic set which was anchored with You’ll Think of Me. Musicians in the round, showing off their stuff in a more intimate way always struck me as country music getting it right. This part of the show came as close to bringing a little bit of Nashville to NYC and bringing the audience closer to the band. Speaking of bringing the audience closer, at one point, Keith made his way from the stage into the audience about 10 seats to my left. With a roadie holding the mic stand above his head, Keith played and sang being devoured by the fans.

A colossal HD screen behind the band was a bit unnerving. It was a little like King Kong devouring the city. The band was just TOO big. HD made it seem even more real. Note: See my iPhone photos above to get an idea of what it was like.

The most endearing touch of the night was his appreciation of not only the fans (he stayed after his band left stage to low five the crowd, hitting every corner of the venue to show his thanks), but his crew also. He gave them a big shout out while the HD screen was filled with a photo of them. No one has any idea what goes into putting on a show like that, unless you’ve actually done it. Those people are usually the unsung heroes, but not last night. Whoever was handling microphone duty deserves a big applause. They were popping up all over the stage and its many arms.

Strong guitar solos, sing-a-longs and just plain rock and roll made last night a music renewal.

With Keith’s show being so strong, it still leaves me scratching my head the Carrie Underwood was the chosen opener. It was like two different shows: The Vegas Review and the Arena Rock Show. Carrie has a nice voice, looks great (please take off those 5” heels so you can move and enjoy yourself), but lacks the soul to make her performance more than the safe show it was. She has not left American Idol behind her.

There were two stagings that unfortunately are embedded in my head for their inconceivability. One she is wearing what looks like a blue wedding dress gone awry with a very long train. (see bad photo above) Perched on two round tiers, she looked the blueberry bride on a wedding cake. I can only guess that with so much fabric surrounding her, she was immobile. She stayed that way for two songs. After she changed into a more appropriate jeans and tank top, she was atop the circles again. This time the lights lay low, so low she was only visible to about the first 10 rows. Attached to the lights were very big white sheets, which were affixed to the waist of her jeans. The only way to describe this is it looked like she had huge rolls of toilet paper rising from the air, as the lights lifted and they were attached to her pants! These elements were so distracting that I couldn’t even tell you what she was singing about. The sound was not the best. She closed with the very likable hit, Before He Cheats, which reminds me of Aerosmith. Recipe for Carrie: Be yourself. Wear Jeans. Take it down a notch. Have fun. Watch a Keith Urban show. Take notes.

Who Is The Grammy Audience?

Who do the producers of the Grammys think their audience is? Last night’s performance started off like a Lawrence Welk revue. If you don’t know who he is, this mash up clip from his TV show sums up last night’s Grammys. Lawrence meets the Velvet Underground.

These Grammys could have stood out as a way for the industry to shine, try and bring back music lovers, its former glory, celebrate 50 years of the awards and show that they are not out of touch. No time like the present, right? They missed the mark. I barely watched anything after the first hour, but my perception is it looked like a second rate high school production. How to lose the kids in 30 minutes: Love b/w Across the Universe. Tell them to go online and choose the best violinist to play with the violin orchestra backing the Foo Fighters. Hype Alicia Keys 29 performances during the show.

The most enjoyable moment for me was when Kid Rock sang with Keely Smith who was the first recipient of a Grammy. It was entertaining. She can still sing and exudes cool. Kid Rock was charming and held his own.

I believe John Mayer to be talented. I also believe Sheryl Crow is talented. I’m convinced both will go to the opening of an envelope if asked. What was that mess with Alicia Keys & Mayer? Amy Winehouse, who along with Feist were the minority of young musicians this special was sorely lacking.

Yes indeed, they missed the mark.

From Bob Lefsetz:
If you think this awards show is important, then you must have a
financial interest. It's everything wrong with the music business. It's
something for everybody, whereas we used to specialize in the exact thing
the individual needed right now. Play to the front row, not the upper
deck. Play to those who care. Ubiquity is history, niche is king.
Everybody knows this but NARAS, which probably doesn't even know that you
can use Google to search hard drives, not to steal music, but to get
what you need, to keep you alive. Whereas this show will put you to
sleep.

Parades, Super Fat Tuesday

There is a lot going on in NY today. For those who want to feast before the beginning of Lent, there is much reason to celebrate: It's Fat Tuesday! The Giants are the Super Bowl Champs! People are coming out in droves to vote!

The Giants were hailed as the kings of NY in a parade downtown. I've been to two of these parades. Unfortunately I didn't make it today, but Fred did. Check out his blog, Otillus, which pays photographic homage to the NY Nitty Gritty.

In 1986 Lucia and I ventured downtown to pay tribute to the lovable 1986 Mets. They were lovable to those of us who were fans. As we now know, most of the team almost didn't make it. Partying way too hard the night before will do that. These Giants had a day of rest. We were so far back, that what I remember is Mookie must be passing by as we heard the low howl of MOOOOOOOKKKKKKKK. We also were able to glimpse the top of Darryl Strawberry's head.

In 1998, Danny Clinch took Luscious Jackson downtown for a photo shoot among the parade goers and police. All I have on file from that day is the subway shot, which will have to suffice. They did take a subway to get down there.

Lots of paper, lots of face painting, lots of cheering. Did you vote yet?

Free Music from The NY Daily News

It started with Prince giving away his album in England with the Sunday paper, now the NY Daily News will be giving away free downloads in conjunction with EMI. It's almost impossible to find info on the Daily New's website, but it's being reported that anyone who buys a Sunday paper on Super Bowl Sunday or Grammy Sunday, will receive a code good for 3 free downloads. Not sure why the paper isn't announcing it all over their website.

ANDY DAVIS

If Mitchell Froom endorses someone, I pay attention. This summer he played me Andy Davis, who he just finished producing. He said this guy has it all musicially and he's super organized. Not to generalized, but organized is not a term generally associated with musicians. On first hearing his music, early Todd Rundgren (We Gotta Get You A Woman-Something/Anything period) and Elton John came to mind. I think the piano had something to do with my immediate association, but he tells stories, much like both of the above mentioned. Listen to Let the Woman I Love.

Andy played the Living Room last Friday so I decided to head over there. It was just him, his guitar or piano. Now I can say I also endorse Andy Davis, not that he's running for anything. His show was about the music. His love for music emanates from him. Not taking himself too seriously, he used miscues to his advantage- a charming touch. He knows how to work an audience. His unassuming way of involving the crowd as an additional musician is such a simple but effective additive to the show. Whether clapping hands or signing along to Mariah Carey, the audience was part of this show.

Andy is a Baton Rogue native who now makes Nashville his home. Nashville could be where he developed his storytelling chops. He said when he was studying music he came across Irving Berlin who composed most of his music on the black keys of the piano, which inspired the song Black Keys. Note: In a 1962 interview, Berlin said, "The black keys are right there, under your fingers. The key of C is for people who study music." Irving couldn't read or write music, neither can John Hiatt and I'd be hard pressed to find better songwriters.
Brown Eyes closed his set. It's a perfect pop song. The stuff I love.
"She had brown eyes, I know she's about my height....
I don't even know her, but I know I have to see her again:"
How many people can relate to meeting someone, being smitten, this person leaves the bar, you may never see him/her again, but you're obsessed?

Believable Doubt began as a love song, but took a sinister turn. Andy's vocals suck you in and make you believe.

The album can only be purchased at Barnes & Noble now, but it's worth walking the 3 blocks in NYC to purchase (there is a Barnes & Noble within three blocks of everyone-I have 2 within 5 blocks of my home). It's impeccably produced by Mitchell Froom. Listen to songs from the album on Andy's website, other tracks can be heard at myspace. If he comes to your town, go see him and be entertained: think Elton John without the costumes. There wasn't enough ceiling clearance for him to jump on a piano, but in the back of my head there was always a thought that he could do it and get right back to serenading without missing a beat.

Soundtracks Making a Comeback

Soundscan for the week ending January 20th:

#2 Juno soundtrack -only being bested by Alicia Keys. Why does the Velvet Underground show up everywhere?
#13 Alvin & the Chipmunks soundtrack - holding steady for a second week at this position. It actually ranked as high at #7 a few weeks ago. It's an album of sped up vocals.
#18 High School Music soundtrack - this has surpassed the 3 million sold mark. This brings me to kids TV. While in FL with my niece, she had the TV tuned to Nick and Disney. No matter what the show, someone was breaking out in song. It could be a video or a band performance. I can only compare this programming to Dream Girls meets MTV.

The music business never ceases to surprise.

EMI: Hands On

A lot is being written about Guy Hands who engineered the buying of EMI. He made a mistake in letting Tony Wadsworth go. With that exception, much of what he is saying and being chastised for is basically true. I read the article in today's WSJ. Most of the press involving EMI include a big photo of the Rolling Stones and claim that the band no longer wants to be at EMI and they are doing a one-off soundtrack for Universal. If Guy is smart and wants to turn around a company that has been in financial disarray for many many years now, signing the Stones would not make sense. I'm assuming the Stones would require large sums of money upfront. The Stones no longer sell enough record to warrant a large advance. EMI would never recoup. I don't think that having the Stones on the label will entice younger, prominent acts to sign with the label. I did read that the Stones have the rights to all their music post 1970. That is a carrot, but still not enough for a failing company to invest in.

In a meeting with band managers Hands sited Terra Firma's (his company) successful track record in his stewardship of UK movie theater chain Odeon Cinemas. "The cinema business isn't the movie business - it's the popcorn business." This did not sit well with the managers, but let's face the state of things: I'm sure theater chains make way more money on popcorn than they do on selling tickets. What other avenue is there for record companies to make money beside the selling of music? The music business doesn't have a "popcorn".

When Jack Welch took over NBC/Universal, the first thing he did was let go of the music arm. One look at the books and he knew the old model from 50 years ago wouldn't work and it would take too long to change things. I don't know how long it will take Guy Hands to re-engineer EMI and turn it into a profit center, or if he ever will, but I will enjoy following his travails.

Tom Stoppard's Rock 'N' Roll

There are things I've taken for granted which have been part of my birthright: the freedom to listen to whatever music I want. whenever I want and see it performed live. Tom Stoppard's engrossing play Rock 'N' Roll drives home the theory or reality depending on how you look at it, that culture cannot thrive in a communist/dictatorship society. The play is set in a span from 1968 (we are being clobbered over the head with references to the summer of love), when Czechoslovakia had a few months of uncensored creativity under the leadership of Alexander Dubcek to 1990 when the Rolling Stone performed in Prague.

The play revolves around a student, Jan, who leaves Cambridge, England where is he studying with a Marxist professor, to return to his hometown of Prague, even though the Czech government has asked him to stay in England. As an avid music lover, he discovers the band the Plastic People of the Universe and believes they will be the shining light to bring artistic freedom back to the people of Prague.

Milan Hlavsa, who died in 2001, formed the Plastic People of the Universe in September 1968 when he was 19. The fact that the Russian invasion of Czechoslovakia had occurred in August was not immediately relevant: ‘We just loved rock’n’roll and wanted to be famous…rock’n’roll wasn’t just music to us, it was kind o ife itself.’ The band was not interested in bringing down communism, only in nding a free space for itsel nside the communist society. But of course there was no such space, and the story that Rock’n’Roll is telling is that, in the logic of communism, what the band wasn’t interested in and what the band wanted could not in the end be separated. The Plastics were among a small number of musicians and artists who wouldn’t compromise at all, so the space for POLITICS, ROCK’N’ROLL AND LIFE ITSELF their music and for ‘life itself’ became harder and harder to nd until it was eradicated. -Tom Stoppard

The clever use of graphics and music help to bridge the segments of this 3 hour play. There is more than one reference to Syd Barrett, the troubled founder of Pink Floyd. Was Stoppard a friend of his? Syd hailed from Cambridge. Pink Floyd's first album was titled The Piper At the Gates of Dawn, which is a reference to Pan and Wind in The Willows. All of this ties into the play. By 1968, he was no longer a member of Floyd. As Jan says, can you imagine getting kicked out of Pink Floyd for taking too many drugs? A key moment for me came when Jan finds his record collection has been destroyed and the only remaining album is the Beach Boys' Pet Sounds, which a friend had borrowed and returned. Pet Sounds is the greatest album ever recorded in my humble opinion. Music interwoven throughout the play includes, The Velvet Underground, Sid, Pink, The Plastic People of the Universe (read their history), The Cure, The Beach Boys and the play ends with the Rolling Stones performance in Prague. Having been to the wonderful city of Prague, this lesson in a period of it's life was fascinating.

Another Industy Legend Leaving Label

TONY WADSWORTH STEPS DOWN FROM EMI GROUP
EMI Press Release: EMI Group announces that Tony Wadsworth is stepping down from his post as Chairman and CEO of EMI Music UK & Ireland.

I only had a few dealings with Tony when I managed Luscious Jackson, but he was always respectful, available and shared his love of music. He was one of the last great music people to hold a prominent post at a major label. Let's hope he finds a better way to share his legacy and continue to bring good music to the masses.

Just when you think the RIAA couldn't go any further....

Can this really be true? I want to believe it's a misprint.

The Recording Industry of America has drawn a new line in the sand for digital music users claiming that the act of ripping a purchased CD onto a PC is illegal, according to lawsuit covered in The Washington Post. The RIAA is seeking legal fees from an Arizona man who simply transferred a collection of 2,000 CDs onto his computer.

Picks of the Year

It's that time of year when all the top 10 lists start surfacing. I'm going to mention a few standouts for me.
-I'd have to start with a record and artist I work with, Brandi Shearer's Close To Dark. Haunting melodies and a powerhouse of a voice, make this a top pick.
-I cannot get Girls In Their Summer Clothes out of my mind. Could it be that this Springsteen song from Magic reminds of the Who's Kids Are Alright? It's a great melody. I love hearing it on the radio.
-Bright Eyes' Four Winds is another song I love hearing on the radio.
-This Big Town-ok here is something that is not out there yet, but when it is, people will be listening. It's the brainchild of Michael LaMorte (mini-king, Fictura). The amazing melodies will bring you back to the best of the early Eagles. Michael has a way of making what you hear sound new, but familiar ala Fountains of Wayne.
-The Coast of Utopia trilogy by Tom Stoppard. Who would have thought that three plays based on 6 friends, writers and thinkers from 1840's Russia would be engaging. It was engrossing. Can't wait to see Rock 'n' Roll next month.
-Juno An enjoyable movie with great touches and a not so predictable ending. Nice use of the Mott The Hoople classic, All The Young Dudes. Check out the cutouts of a young Glen Campbell and Bill Clinton on Juno's friend's bedroom wall.
-Speaking of Ian Hunter, his show at The Williamsburg Music Hall affirmed my belief in Rock Music. He stuck to classics: the above mentioned Dudes, Angeline, Roll Away the Stone, I Wish I Was Your Mother, Cleveland Rocks,..... Even though we didn't hear much from his new record, Shrunken Heads, it's a great collection of music and worth checking out.
-Nick Lowe at Housing Works. Just him, his guitar and his wit. Will never tire of it.
-Seems like every book I read this year, came out last year, standouts were The Thirteenth Tale, Never Let Me Go and Team of Rivals. I'm reading Slash's autobiography which came out this year, but so far it isn't as entertaining as I thought it would be. It could be a Lifetime After Dark movie: Kid from broken home goes astray, finds music, girls and drugs and the rest is history.
Happy New Year!

Sharing Our Passion

Amoeba Records is putting it's money where the mouth is. I will disclose that I work for them. What other label is so confident of their music that they're will to give it away? Sharing our passion is the Amoeba Records motto. That's exactly what's happening. Starting today at amoeba.com there will be two songs every two week to download free from Amoeba's first two releases: Brandi Shearer and Gram Parsons. We think you'll like what you hear so much that you'll want to buy both records. We kick it off with Brandi's live version of Gram's song Hickory Wind and The Burrito Brothers performance of Close Up The Honky Tonks. Every other Monday visit amoeba.com for another piece of the Amoeba passion: great music. Special Christmas bonus track: Brandi's bittersweet rendition of Have Yourself A Merry Little Christmas. The song originally written for Judy Garland to sing in the movie Meet Me In St Louis. Happy Listening!

Collecting Christmas Music

Collecting Christmas music has become a hobby. I think my most treasured piece is a 45 of I Want Eddie Fisher For Christmas. With lyrics like "I want him here rehearsing, to sing to me in person" how could you go wrong? Betty Johnson recorded it and from what I read, it actually reached # 22 in late 1954. I guess you can't underestimate the power of Eddie. My friend Rosemary gave me the single right after I finished reading his autobiography. That guy lived.

In putting together a compilation of "rock" Christmas music for a friend's party, it really hit me that they way to create a gift that keeps on giving is to write a Christmas song. It doesn't even have to be a mega song, like White Christmas. Christmas Waltz is a song that I kept seeing on CD after CD, Sinatra did it, Barry Manilow did it, The Carpenters did it, Rosemary Clooney did it. I thought it was strange that I never heard it before, so I gave one a listen and realized I had heard it many times and never knew the name of it. It was written by the famous songwriting duo of Sammy Cahn & Jule Styne.

When I was an intern at MTV, the staff used to gather with a musician and do a special Christmas video. The year I was there it was Billy Squire and the song was Christmas Is The Time To Say I Love You. Lots of swaying and a complete atmosphere of fun summed up the feeling of those first few years MTV was on the air. All the VJs, including Martha Quinn were having a great time doing this. The woman behind Billy in the Santa suit was my boss, Gale Sparrow. I'd like to think that party atmosphere hasn't left the business. Amid more layoffs at SonyBMG, it seems like it's just a matter of time before the next MTV happens. I will once again try and post the video from YouTube, but it wasn't cooperating yesterday.

Alas, the Christmas compilation will be without I Want Eddie Fisher. I haven't been able to find a digital version of it......

Junk Mail Courtesy of Dennice Brown

The Christmas season makes the mail carriers jobs that much heavier. It seems we are inundated with catalogs and junk mail. How many credit cards can a person apply for? Dennice decided to save every piece of junk mail from November and here are her results. Does it hit home?

Ever wonder how much junk mail you get in a month? Well, crazy Dennice does. I've saved every catalog and piece of junk mail for the month of November. That is only 30 days. Here is what I got. And if you want to know what it looks like, just open my photo (the stack is 12" high - I've added my coffee cup to the photo so you can get the feel of the height of the stack). 113 pieces of junk mail - and here is the break down 11 from Citibank 9 from Capital one 9 from Bank of America 8 from Chase 6 from United 5 from Am Ex 65 other including: 3 return address labels for DR and I; 1 fancy notepad saying Rizzo Family; and 9 blank holiday cards for my own use compliments of the Humane Society and Alley Cat Allies 94 Catalogs - including 7 from Bloomingdale's 4 from ESPN 4 from Red Envelope 4 from Paul Fredrick 4 from Hammacher Schlemmer 3 from Frontgate 3 from Lillian Vernon 3 from Pottery barn 3 Charles Tyrwitt (who?) 2 from Johnston & Murphy 2 from Crate & Barrel (surprised only 2, seems like I get one every day) 2 Fredrick's of Hollywood (might just order from there) 2 from 2008 Calendar Collection 2 from Jos A. Bank 2 from All Posters 2 from NFL 2 from Torneau 2 from Exposures 2 from Harry & David 2 from Sharper Image 2 from Eddie Bauer 2 from Coldwater Creek 2 from WineCountry Gift Basket 2 from Vermont County Store 41 other Now I have to to go and get calling to get off the lists so I am not responsible for killing any more trees. Happy Holidays and Go Green.

Running Down a Dream

Runnin' Down a Dream, the documentary about Tom Petty & the Heartbreakers covers almost every aspect of their career (somehow they skipped over the soundtrack to She's The One-ignoring a favorite, Walls). This is a must see for anyone who:
1. Is in a Band
2. Is in or wants to be in the music business
3. Needs to see a solid example of sticking to your ideals.

The one scene I keep coming back to, takes place in the studio where Tom is producing Roger McGuinn's record. The A&R guy insists that Roger should record what Tom believes to be an inferior song. He nicely says this song is not good and over the course of the next few minutes points out that Roger is rock royalty and how could he ask him to record something lame. The A&R guys suggests writing new lyrics. All of this prompts Tom to ask if the guy is getting a percentage of the song. Tom knows and loves music and doesn't believe in compromise. He comes off as being a hard a**, but fair. We need more musicians willing to go the distance to fight for quality and stay true to their roots. Kudos to TP & his Heartbreakers.

Only 5 Songs In The World

I am listening to Sirius and Meg Griffin is playing Rock Your Baby by George McCrae which sounds just like When You're in Love with a Beautiful Woman by Dr Hook. I've heard both of those songs a hundred times and never realized how close they sound until today. Now I had to search YouTube for Sylvia's Mother. One of the most melodramatic songs of the rock era. "and the operator says....." Things I did not know about Dr Hook and you probably don't either
1. They are from Union City, NJ
2. Band member Ray Sawyer's eye patch was legit and not a prop. He was in a car accident in 1967, the year before the band was formed.

John Hiatt once told me that there are only about 5 songs in the world and everything else is derived. He then referred to his song Slow Turning which he said had the same chords as ROCK in the USA, That's What I Like About You and the list went on......