Baseball, Bob & Barry

Three things that interest me:  Baseball, Bob Costas and Barry Levinson.   Starting this Monday the 14th, they will be part of a six segment show on the MLB Network called Costas at the movies.  Bob is interviewing the stars and directors of iconic baseball movies.

According to the Hollywood Reporter, this is the lineup of films:

Monday, January 14 - Cobb
Interviews: Tommy Lee Jones (Ty Cobb) and director Ron Shelton

Monday, January 21 - Bad News Bears
Interview: Actress Tatum O'Neal (Amanda Whurlizer)

Monday, January 28 - A League of Their Own
Interviews: Geena Davis (Dottie Hinson) and director Penny Marshall

Monday, February 4 - Eight Men Out
Interviews: Director John Sayles

Monday, February 11 - The Natural
Interview: Director Barry Levinson

Gina Davis, A League of Their Own

As Bob says in THR:  “Not only do they take pride in the work they did in these movies, but they don’t often get a chance to talk at length about it,” Costas says. “Everything now is a sound bite. The idea of getting to speak in complete sentences and actually recalling something that was an important part of your life and career I think appeals to people.”

Bob's talk show, Later was one of my favorites. I met Bob during a taping of Later (an act I worked with was on the show) and he paid me one of the greatest compliments.  He said, "You really do know your baseball."  It doesn't get any better than that.

Bob and Howard Stern are the best interviewers out there.  They both get so much out of their guests.  Bob loves baseball and I see this series as being a (ahem) home run.  Can't wait. 

Strangely, the MLB Network does not have a mention of this show on their site.

Life is too short to be spent in the company of morons

When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man is the perfect title for this memoir from Jerry Weintraub written with Rich Cohen.  It reads like Jerry is talking to you.  My guess is that is exactly how the book was written. Rob Cohen profiled Jerry for Vanity Fair in 2008 and it would follow that this book expanded on that piece. There are just too many stories to fit in a magazine article. 

From his beginnings in the Bronx, (he was born in Brooklyn, likes to claim he’s from there, but moved to the Bronx at a very early age.  The book cover is a photograph of him on the Brooklyn Bridge)  he joins the military, works in a men’s clothing store in Fairbanks, Alaska and takes acting classes in New York.  Part of his instructions included a dance class taught by Martha Graham.  James Caan was in the class with him. Jerry wouldn’t put on the tights and left the class.  He realized he wasn’t an actor or a dancer.  He became an NBC page, worked for a few weeks in the mailroom at The William Morris Agency, where all big careers seems to have started and that’s the beginning of his entertainment career.  When he started his own agency he was managing the Four Seasons, Kimo Lee a sword dancer and acrobats.  Some of his best stories revolve around putting a show together, such as the one in Las Vegas called a Night in Hawaii. 

At age 26 he convinced Elvis Presley’s manager Col Tom Parker to let him promote an Elvis  tour.  In three weeks, he was a millionaire.  In 1968, Frank Sinatra calls him directly. He was impressed with what he did with Elvis and wanted Jerry to do the same for him. 

His first film venture is Robert Altman’s Nashville.  The two things that come to my mind when I hear Jerry’s name are Concerts West or Jerry Weintraub Presents, which is how he promoted his concerts.  The other is the movie Diner. It’s one of my top 5 favorite movies.  In this book, he recounts talking to Barry Levinson who wrote the screenplay. Every studio turned down Barry to produce the film. Jerry loved the script and said let’s make it.  Barry explained that no one wanted it.  This does not deter Jerry.  Barry says ok, but I have to direct it.  Jerry perseveres and the movie is made.  He says that casting was critical to the film being a hit and Diner launched many successful careers. 

There are two anecdotes in the book, that I think sum up why Jerry is so successful.

• John Denver needed a new manager around 1970.  He had decided to go solo and had released one or two solo recordings to no notice.   John was making $70 a show (Jerry considered that nothing.  I know musicians who would love to be making that now!)  performing at clubs in Greenwich Village.  Someone suggested Jerry see him.  There was a small audience for the show Jerry attended.  “He made a connection immediately.  It was one of those moments you dream about as a manager.  Spotting the kid who will become a star, who is a star already, even if the world does not know it yet.”  Jerry made sure the world knew who John Denver was. 

• “Work with the best people.  If you have the best writers, actors, distributor and fail, there is even something noble in it; but it you fail with garbage, then you are left with nothing to hang your spirits on.”  He was referring to why he made Nashville.  He continued, “Besides, life is too short to be spent in the company of morons.”

Sleepers

Sleepers haunted me for days when I saw it in its initial release. It's haunting me again since I saw it Thursday at the closing night of Fordham Law's Film Festival. Director Barry Levinson, the book's author Lorenzo Carcaterra and DA Charles Hynes discussed the movie with Fordham's Thane Rosenbaum.

The film is based on Lorenzo's book. It's his life story. He grew up in 1960's Hell's Kitchen which was Irish, Italian (he pointed out that he spoke Italian and didn't learn English until he started school) and Puerto Rican. He and many of his friends came from violent households. DA Hynes said that once you grow up with violence you never forget it. He experienced it in his house at age 5.

The boys were getting into trouble. There was the local priest, Fr. Bobby (played by Robert DeNiro) who had the same upbringing, but was trying to steer these kids in a better direction. Lorenzo and his 3 friends (he changed their names to protect their privacy-but still sees those still living for dinners) play a prank on the hot dog vendor and it turns ugly. They are sent to an upstate NY reform school where they encounter the out of control quartet of wardens led by Sean Nokes (Kevin Bacon as his creepiest). Sleepers is a story of revenge and the families that form from neighborhood ties.

Cartcaterra's story has been challenged as a work of non-fiction. The NY courts have said they have no record of the trial that occurs in his story. The priests that served at Sacred Heart say they never perjured themselves (as Fr Bobby does) and are unaware of the story. The school states Lorenzo only had 14 absent days from school, making it impossible for him to be away at a reform school for over 6 months. Lorenzo still stands by his story.

As crazy and as turbulent a childhood he had, he said he and his friends were well read, far more than kids today. The Count of Monte Cristo was one of his favorite books and plays a part in the movie. He credits Catholic school with rounding out his love for literature. The neighborhood was a family. Kids playing on the streets, all looking out for one another. The West 50's was never a wealthy area, but according to Lorenzo it fell apart with the proliferation of cocaine. I've heard other people mention the destruction cocaine has caused. Nancy Wilson of the band Heart felt the music business took a turn for the worst when everyone started using cocaine. Musicians used to be a collaborative community. Cocaine made it everyone for themselves.

Levinson talked about the greatness of Dustin Hoffman. He wrote an additional scene just so he could see Victorio Gassman (King Benny) and Hoffman interact. Hoffman steals the scene with an ad lib about a drug problem.

Diner, Levinson's directorial debut is one of my favorite movies. I know it inside and out. I can quote it ("I'll hit you so hard I'll kill your whole family", "Do you ever get the feeling that there's something going on that we don't know about?" "You know what word I'm not comfortable with? Nuance."). The ending of Sleepers is so close to the ending of Diner. A bunch of friends gather around a table and reminisce, laugh and enjoy each other's company. The slow motion of the gestures ("Gesture is a real word") is a defining part of both endings. The films turn out different, but they are both about a family of friends. Kevin Bacon and Ralph Tabakin ("Bonanza doesn't look right?") appear in both films.