The Phases of Bettye LaVette

This headline is a bit misleading. It might pertain to her career, but not her being.   There is an intriguing profile of Bettye LaVette in the New Yorker's Nov 15th issue by Alec Wilkinson.  She seems to have done things her way and without compromise. What you see is what you get.  She speaks her mind.  The piece describes an encounter with a fan who happens to be an ex-musician.  When referring to music, she says to him,  "Why do you white guys have to study it so much?"  He says, "I guess I do it for the love." Her response to him, "It's music.  It never saved nobody's life.  We still don't have a cure for cancer.  Honey, if I'm dying of cancer I don't want you to sing to me by my bedside."  This is probably the biggest clue into why it's taken till now for her to receive the adulation that seemed long overdue.  Her life isn't all about music.  Mr Parker asked her if it was true that she didn't listen to music.  She responded that she didn't want to sound arrogant,  but she's not a fan of music.

Bettye killed at the Kennedy Center Honors tribute to Pete Townshend and Roger Daltrey, which I've already written about. This was most likely her crowning moment, singing a song she originally wanted nothing to do with. She has regrets. Mistake #1 as she called it, was demanding that Atlantic let her out of her recording contract.  This was very early in her career.  Her first record was released in 1962 when she was still a teenager.  The beauty of Wilkinson's writing is that he doesn't judge, he lets her story unfold.  Bettye's brashness is evident.  She comes across not so much as a survivor (despite getting pregnant at 15, her childhood seemed stable), but as a determined individual who goes with her gut.  Alec refers to her Kennedy Center performance as intended.  "I didn't come there to try anything," she told him.  "Whoever else in on that show, they have to die tonight.  I haven't had the opportunity to be adored already when I walk out onstage."  "If I have to rise to the occasion of killing you, I will."  That's determination.  That's honesty.  She performed like she was going to battle.  When she hit the stage, she commanded it.

Singing the Townshend song must have inspired her most recent record, Interpretations, in which she covers the British songbook.  She hated the British Invasion, as it took over the radio and knocked she and her fellow R&B musicians off the charts.  With new arrangements, she has clearly come to terms with the Brits.  It's another phase in her career, one that seems to put the spotlight on her. 

We Are One: Concert at the Lincoln Memorial

Singing in 20 degree weather can't be easy. Yesterday musicians paid tribute to Barack Obama by performing on the steps of the Lincoln Memorial. It's a dramatic and inspiring backdrop. Many of the songs were performed with a choir. Springsteen with acoustic guitar and choir behind him delivered a poignant version of The Rising. John Mellencamp and choir belted out a rousing version of Pink Houses. The only full band performance came from U2. They paid tribute to Martin Luther King Jr with In The Name of Love and followed it up with City Of Blinding Lights.

The ladies really rocked the show. They out rocked the guys.

1. Mary J Blige's cover of Lean On Me took on steam as the song progressed.
   
2. Renee Fleming powerfully interpreted Roger's and Hammerstein's You'll Never Walk Alone.
3. I was very exited to see Heather Headley perform with Josh Grobman. She has one of the best voices and she hadn't been on my radar lately. Their duet was a beautiful interpretation of My Country Tis of Thee.
4. Bettye LaVette proves that she just keeps getting better. She blew me away with her rendition of Love Reign O’er Me at the Kennedy Center Honors last month and continued to do so yesterday with her performance of A Change Is Gonna Come. Jon Bon Jovi sang with her.
5. Beyonce closed the show with America The Beautiful with the days performers joining her on stage for the last verse.
   

With the exception of U2, it was a celebration of the music of this country, although the lone jazz artist represented was Herbie Hancock. HBO is running it online, watch it. The performers were there because they wanted to be and the passion and pride were evident on every one of their faces. It's good to be an American.