Showing posts with label author. Show all posts
Showing posts with label author. Show all posts

Friday, May 17, 2013

Someday, Someday, Maybe

One of my favorite TV characters of all time is LorelaiGilmore.  She’s witty, strong (even when she thinks she’s not) and houses a great knowledge of cultural trivia.  She’s my kind of gal.  Lauren Graham who so wonderfully played Lorelai just released a novel, Someday, Someday, Maybe. 

The story centers around Franny Banks, the actress/waitress who is trying to make a go of life in New York City and realizing her dream of one day being interviewed on the stage of the 92nd St Y.  That would mean she had made it as an actress, a well-respected theater actress.  She has 6 months left in her self imposed quest to make it happen. Franny’s a little bit Lorelai and probably a lot of Lauren.  Lauren had said in an interview that it’s loosely based on her life and what she couldn’t remember, she made up.  She credits Diane Keaton with the suggestion to put these stories into a book. 

The story is about struggle and self-realization.  Anyone who has a dream, no money and lives on their own, can relate to it.  Franny occasionally asks her dad to supplement her income.  She deals with each situation with self-depreciating humor and determination.  The story also drives home that support, understanding and kindness can come from unlikely resources.

Lauren uses reproductions of Filofax pages to show the passing days.  If you don’t remember Filofaxes, they were the lifeblood of daily organization.  Before Palm, Blackberry or the smart phone, there was the Filofax. At the end of the year I would flip through mine and think, wow I guess I did accomplish something.  The voicemail messages from her English teacher father are sarcastic and sprayed with love. You can hear his voice in your head.  Franny had to have a cool, good-looking boyfriend, who you know will turn out to be a jerk.  I believe a guy like James is a rite of passage for every single girl in the city.  I could relate. 

Loved reading this book.  Someday, Someday, Maybe is sweet, charming, snappy and engrossing.  Oh did I mention, it’s also well written.  


The Leonard Lopate Show: Lauren Graham - WNYC

Monday, May 14, 2012

John Irving: One Person At The 92Y

John Irving does not have the patience to be politically correct.  He tells it like he feels it.  At the 92Y last night he read excerpts from his just released novel, In One Person and spoke about the characters, his career, politics and of course as it was mother’s day, his mother. 

Irving’s reading of In One Person illuminated the character of town librarian Ms Frost.  You don’t know her until you’ve heard John read her.  (John Benjamin Hickey narrates the audio version of the book, which I’m sure it’s a treat.)  When I was reading the novel, I had an image of a bigger and broader version of the actress Wendy Malick.  Ms Frost becomes one of the many “wrong crushes” for narrator Billy Abbott.  She was the highly regarded wrestling champion of the town, when she was a he.  Billy’s grandmother has only contempt for her. Ms Frost becomes a key figure in shaping the course of Billy’s life. 

Being bisexual, Billy is a true outsider. He is not to be believed by either men or women. He does not belong to any party. 

If you were, like me, at an all-boys’ boarding school in the fall of 1960, you felt utterly alone—you trusted no one, least of all another boy your age—and you loathed yourself. I’d always been lonely, but self-hatred is worse than loneliness.    –Billy Abbott

I’ve seen John speak, read and answer questions probably 5 or 6 times. Each time something else is revealed to me.  Here’s is what I learned at the Y last night:

On his mother: The time period of his life that he thinks made his mother the happiest was when he was wrestling.  He started at 14, which coincided with the beginning of his writing career.  His mother was a prompter in the theater as is Billy’s mother in the novel.  He said that’s where the similarities end, as his mother was the most un-homophobic person he has ever known.  He read the passage from the book that really got to me as I read it.  It references the daily laying out of the clothes by Billy’s mother for him.  When Billy turns 13, she stops the ritual and that is when he believes his mother lost interest in him.  It seemed to me that maybe John lived through something similar in his life. He started off the evening by saying, “If you brought your mother here tonight (pause), I hope you bought her something else.”  His mother would not be happy to be brought to one of his readings for Mother’s Day.

The advantage of writing with hindsight:  In One Person’s narrator Billy Abbott is in his late 60’s looking back.  It starts in the 50’s and then brings him into the 1980’s AIDS epidemic. Irving wrote about the Viet Nam War in 1989’s A Prayer For Owen Meany.  The war ended in 1975.   

Politics in his writing:  He views a political novel as one where the writer is taking a side.  A novel can be a form of advocacy.  He cited The Cider House Rules, Owen Meany, The World According To Garp and In One Person as his 4 political novels.  His most recent goal in writing this book was to broaden our tolerance for sexual differences.  He thought it would be much easier to relate to Billy for having sex with both genders, as opposed to Johnny Wheelwright (Owen Meany) who goes through his whole life never having sex.  It is thought that Johnny was in love with Owen, but never acted on it.

After writing Garp he thought he was done with sexual outcasts. He felt the need to revisit, as we’re still battling sexual discrimination.  Irving’s thoughts:  Shakespeare was more at ease with this than we are today. 

The writing process:  Many submitted questions about his writing ritual, which is to conceive the ending first and then create the backwards road map for the rest of the story.  He said it is a process and nothing that he’s married to, but it works for him.  It wasn’t until after his fourth novel, Garp that he was able to quit his other jobs and concentrate solely on writing.  His mother was not impressed when he told her of his excitement in committing to full-time writing.  Once he had the freedom to write, he struggled with it.  He said he couldn’t work for more than three hours a day on The Hotel New Hampshire.  It was a much more difficult road that he thought it would be.   His next novel, Cider House, was the first of the constructed books.  He had a method that worked for him. 

His advice to writers:  Don’t always write what you know.  How boring!  The thought exasperated him, as did the idea of Mitt Romney as president.

John Irving:  writer, wrestler and forthright.  

Listen to John on the Brian Lehrer show.

Thursday, May 19, 2011

Wendy Corsi Staub on Writing, Optioning And The Importance Of A Dog

Live to TellInspiration comes in many places.  Realizing that Grand Central Station no longer had baggage lockers, author Wendy Corsi Staub thought about where she could stash a bag while she went about her business in the city.  As she walked through the terminal, she passed the sign for the Lost and Found, which got her thinking about the process of turning something in to the Lost and Found and then trying to retrieve it.  Wendy now had the opening of Live To Tell, the first in a trilogy of thrillers. 

Wendy was the guest author at book club last night. She is a prolific writer having authored books in different genres:  thriller/mystery, chic-lit, young adult as well as ghost writing biographies. 

Authors have so many different writing processes.  John Irving always knows the ending of his book before he starts writing. Wendy explained her method. “I edit during the writing process.  The story is ever evolving and I'm constantly rereading, rewriting, cutting and pasting, adding and deleting.  When I reach the end of the manuscript, it's DONE.  I wish I could be one of those authors who writes a complete first draft, then goes back and does a second draft and then a third, but that's just not comfortable for me. I edit as I go and the first draft is my final draft, then it goes straight to my husband for a read. I tweak for typos and continuity per his feedback and then it lands on my editor’s desk.”   She said that when you first get published, you have to turn in outlines. She’s not big on outlines. Her editor, Lucia Macro (book club member) said it’s rare that any of her authors work with outlines; in fact she could only think of one who plotted a whole book before writing it.  Wendy submits story summaries and a first chapter.

Surprisingly Lucia told us that authors do have the final say on their content. (Not always the case for musicians working with a record label.) The editor and author share the same vision for the book, but it’s the editor’s job to make sure the author is not taking it in a very wrong direction. Wendy was once an editor and she believes in working with her editor.  As with most musicians, I’m assuming most writers are precious with their art.  Editors are there to make the art more sellable and readable.  Artists don’t always see it that way.  Aren’t two heads better than one?  Wendy thinks so. 

Live to tell is set in New York City and it’s suburbs.  Lauren Walsh is recently divorced from Nick, the on again/off again dad.  She’s in what she thought was her dream house, a sprawling suburban Victorian in need of upgrades.  Is she a little woe-is-me?  Probably, but she had the rug pulled out from under her. Her husband leaves her for an older woman, gets an apartment in a doorman building in White Plains and takes the kids whenever he gets around to it.  She’s got the responsibility and he has the girlfriend. 

Her youngest daughter Sadie loses Fred, her beloved stuffed animal.  It’s more than a toy.  It was a gift from Nick and it’s one piece of her dad she can hold on to.  Nick reluctantly goes to the Lost and Found in Grand Central to claim what he thinks is Fred.  It’s not Fred and it’s filled with more than just stuffing. 

As with any good thriller, Live To Tell engaged me.  It’s hard to write about the story without giving it away.  To coin a phrase, the plot thickens, the kids are involved and a ruthless politician needs to get his way.  There seems to be no shortage of inspiration from stories in the news regarding politicians and their sordid lives.  Wendy mentioned that when she was writing this book, the Eliot Spitzer scandal was in full swing. 

Live to Tell would be a perfect cable TV movie, actually it would perfectly play out as a mini-series.   I asked Wendy if she was approached about optioning her work for film or TV and she said there has been interest. A lot of times she’s told what I have heard too many times as a manager and it’s ridiculous, “You need to have a strong male lead.  We can’t have just a female lead.”  I’ve worked with many female musicians and used to hear from radio stations,  “Even though we love the record, we can’t add it this week as we already have two female musicians on our play list”.  Why is the entertainment industry still so female-phobic?  A look at today’s iTunes chart shows who is leading the pack.  Six of the Top 10 downloads are from female artists (I’m including Black Eyed Peas).  At number one is Adele and Lady Gaga has two slots. Get over it Hollywood. We love our female leads. 

The characters are very believable, the story is cohesive and I was cheering for the good guys. I can’t think of a better summary for a mini-series. 

Apparently you can judge a book by its cover.  Lucia told us that the book cover is really important, especially in the thriller and chic-lit world.  People do buy a book based on its cover.  Buyers at stores pay a lot of attention to book covers.  A few authors have told me that if a book cover is approved and it isn’t a true representation of the story, it is easier for the author to amend his/her story to include something from the artwork rather than change the cover.  Art influencing art? 

Since many of us in book club are dog lovers, we had to ask about Chauncey, the Walsh’s pet.  I won’t say what happens to Chauncey, but I will say that once Wendy had a dog killed in one of her books. She got so much negative mail that she would never go down that path again. 

Scared to DeathWendy Corsi Staub’s most recent book is Scared To Death, the follow up to Live To Tell.

Fascinating piece on Grand Central's Lost and Found and other secrets.