Rotten Revisited

There are a few quotes from John Lydon that I think give the reader a good sense of what was going on with the Sex Pistols in the early stages of the band. 

A lot of people feel the Sex Pistols were just negative.  I agree, and what the f**k is wrong with that?  Sometimes the absolute most positive thing you can be in a boring society is completely negative. It helps.  If you’re not, you show weakness, and you must never do that!  You must always be committed.   
 
We were huge, but we couldn’t play anywhere, so we couldn’t earn any money.  Nobody wanted to release our records.  We were quite literally paupers. 
Too many days off between gigs on the Anarchy tour turned the Pistols against one another.  We became frustrated and began looking at each other suspiciously.  We were bored and at each other’s backs.  Today the animosity has transformed into a sense of loss.  

John's take on record companies and the record business:

 

There were virtually no independent labels when the Pistols started. 

You set yourself bigger than that; you want to be heard by as many people as possible.  Unless you have distribution, there’s no point.  When you sign with these independents-as they call themselves-they go and lease the contract to the big labels.  Again you’ve defeated the point, you’re now twice removed.  They still need to go through the major labels to the bloody records pressed, distributed, and paid for. 

On knowing little about record contracts:

To be honest, the only interest the band and I had was, how much do we each get?  Like true humanitarians.  Quite frankly you can’t tell an eighteen year old to think any other way. 

I was nowhere near capable of understanding what was going on.  I realize now that the contracts were shockingly bad.  Malcolm hadn’t the slightest idea what he was doing, either. 

The American contract with Warner Bros. was signed in perpetuity, forever and ever.

I don't think I know of any artist that signed a record contract in perpetuity.  This was a shocker to me; it probably shouldn't have been.   Although record contracts are not what they used to be, this book could easily be a musician primer of what-not-to-do. 

 

Rotten

35 years ago on January 14, the Sex Pistols played their final gig as the band we remember,  that lineup with Sid Vicious.  It's ironic that on that date this year, I finished reading Rotten, John Lydon's memoir.
Takeaways: 

• Lydon has a great respect for women.  With the exception of Vivienne Westwood, who he disliked immensely, they come off pretty well.  As for the men in the book, there are few that he liked or had any patience for.  Strangely he did have patience for Sid Vicious who he brought into the band.
   
• The Sex Pistols career was short (not including reunions).  It was basically a two year stint.      

• Their only US tour during the 1970's took place in southern states.  Their manager Malcolm McLaren thought animosity would follow them throughout the South.  This would bring publicity.  Logic would have them playing NY, Philly, Chicago, LA.  Logic rarely entered into  McLaren's thinking.  

Some of the most interesting anecdotes come from the photographer Bob Gruen who accompanied the Pistols on the US tour.  The stories of tour manager Noel Monk trying to keep things in check are riveting.  Did you know that John and Sid were on a tour bus with the crew while bandmates Steve Jones and Paul Cook traveled separately and stayed in different hotels with McLaren?  Chaos hung around this band like a noose. 

The book also contains words from those who were part of Lydon's scene ( Billy Idol, Chrissie Hynde, Steve Severin). They shed an ancillary light on the Pistols story.  The commentary basically ends when the Sex Pistols ended. The book was published in 2008, but there was no mention of the 1996 Filthy Lucre Tour (Original member, Glen Matlock returned to replace a departed Sid).  There are mentions of his second band Public Image Ltd, but the bulk of the book deals with his life as Johnny Rotten. 

After reading Rotten,  I'm inclined to think that the Sex Pistols may have had a longer career than one album if Lydon had never brought Sid into the band.  He was disruptive and useless.  Except for his image and his tabloid attention-getting antics, there isn't much to say about him.  In today's world (with 24/7 media coverage of anyone's moves), I don't know if Sid would have been considered a legend.  His disruptive girlfriend Nancy Spungen would be dismissed as annoying (apparently everyone hated her and had no problem vocalizing it).  The media has had it's fill of the closest we've come to another Nancy in Courtney Love, who ironically I met when she was filming Sid and Nancy.  Lydon writes that there are many falsifications in that movie and nobody bothered to consult him on the story.  

John Lydon rants and raves throughout his story.  Would you expect anything else?

Olympic Organizers Want Keith Moon To Play At The Closing Ceremonies

Keith Moon died in 1978.  It seems the organizers of the 2012 London Olympics think he's alive and kicking. 

The Sunday Times quoted The Who's longtime manager Bill Curbishley who said he got an inquiry if Keith would be available to play at the Olympics. 

I emailed back saying Keith now resides in Golders Green crematorium, having lived up to the Who's anthemic line I hope I die before I get old.  If they have a round table, some glasses and candles, we might contact him. 


In other Olympic related news, the Times reported that the Sex Pistols have turned down the organizers.  No word on whether they specifically asked for Sid Vicious.  

A Look Back At The Look Of Punk

It's the 1980's all over again.  It seems like everywhere I look, recent fashions remind me of a lot of the clothes I was wearing in high school and college.  Yesterday while browsing in Orva, I saw these Bass shoes, which put a smile on my face.  They reminded me of what my friends and I used to call Dirty Angel shoes.  The first time we saw someone wearing them was on the Boston band Dirty Angels (they had a minor hit with a great pop song called Tell Me).  They were playing a free WLIR show at My Father's Place.  The shoes worn then were  Capezios and were made for dancing, which we did a lot of.  I went through two pairs. 

Westwood Tartan Worn By Johnny Rotten

It's timely that the Fashion Institute of Technology is exhibiting the clothes/creations of Vivienne Westwood, who defined the look of Punk.  The exhibit covers the 80's and is on view until April 2nd.  Vivienne along with Malcolm McLaren opened the SEX boutique on King's Road in London. It started as record store and quickly evolved into a store full of her bondage and fetish inspired clothing.  The Selvedge Yard has a piece on the history of the shop. 

Who Killed Bambi?

I'd heard about the "lost" Sex Pistols movie Who Killed Bambi? Production stopped after four days of filming. Creative differences were cited as the reason the film was never completed. Snippets were used in Malcolm McLaren's The Great Rock and Roll Swindle. I had no idea that Roger Ebert was the screenwriter. On his blog, Roger has reprinted the second draft of the screenplay. Russ Meyer was the director. He also directed the 1970, Roger Ebert penned Beyond the Valley Of The Dolls. According to an earlier interview with Ebert, he said the Sex Pistols were big fans of Beyond and wanted he and Russ to create a movie for them. The first three minutes of this video are an interview with Russ regarding the doomed movie.